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Living and working in a precarious art world
Author: Kuba Szreder

The book addresses – in 66 accessible entries – the global circulation of contemporary art in the moment of its fundamental crisis. By using the term ‘projectariat’, the book detours the classical Marxist concept to talk about the life and work of artistic freelancers – artists, curators, critics, academics, writers, technicians and assistants – who, in order to survive, have no choice but to make one project after another and many at the same time. The majority of projectarians do not own much beyond their own capacity to circulate. Thus, they are torn between promises of unrestrained mobility and looming poverty, their precarity only amplified by the global crisis caused by COVID-19.

The book is intended as both a critical analysis and a practical handbook that speaks to and about the vast cohort of artistic freelancers worldwide, people who are currently looking for ways of moving beyond the structural conundrum of artistic networks, where everything that is solid melts into flows – and where nothing is certain except one’s own precarity. The book’s narrative is based on a carefully crafted balance between its three constitutive strands: an uncompromising critique of the cruel economy of global networks of contemporary art; an emphatic, non-moralistic understanding of the perils of artistic labour; and systemic advocacy for new modes of collective action aimed at overcoming the structural deficiencies haunting the global circulation of contemporary art.

in The ABC of the projectariat
Kuba Szreder
in The ABC of the projectariat
Kuba Szreder
in The ABC of the projectariat
Abstract only
Kuba Szreder
in The ABC of the projectariat
Kuba Szreder
in The ABC of the projectariat
in The ABC of the projectariat
Kuba Szreder
in The ABC of the projectariat
Kuba Szreder
in The ABC of the projectariat
Kuba Szreder
in The ABC of the projectariat