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Homosocial Sins and Identity in Horace Walpole‘s The Castle of Otranto
Max Fincher

Readings of William Beckford‘s novel Vathek suggest it encodes homoerotic desire and suspect masculinity in its themes and narrative structure when read alongside the life of the author. Horace Walpole‘s The Castle of Otranto can be read with the same methodology. The narratives of identity reversal, both gender and social, and its tropes of hyperbolic masculinity as sources of fear are interpreted according to the central importance gender has for understanding Walpole‘s conception of his sexuality. The novel exhibits a fear of gossip and rumour over identity, which may be related to a fear of public exposure of homoerotic desire as it is (mis)understood in terms of same-sex practice between men.

Gothic Studies
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Melanie Anderson, Elaine Hartnell-Mottram, Monica Germanà, Max Fincher, Meredith Miller, Sherry Truffin, and Ruth Gilbert

Gothic Studies
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Douglas Anderson, Joanna Aroutian, Nicholas Daly, Max Fincher, Richard Hand, Tanya Krzywinska, and Laurence Talairach-Vielmas

Gothic Studies