Masculinity and Perversity in Crash and Fight Club
Melissa Iocco

This article considers two evocations of the Gothic in contemporary film that link the popular recurrence of Gothic conventions to contemporary constructions of perversity and masculinity. Crash (1996) and Fight Club (1999) intersect themes of masculine perversity with the Gothic, giving substantially new life to discourses surrounding a ‘crisis in masculinity’ at the turn of the twentieth century. The relationship between the Gothic and masculinity is considered in relation to themes surrounding the corporeal, psychological and social ‘perversities’ in the two films.

Gothic Studies