You are looking at 1 - 3 of 3 items for
- Author: Michael Lawrence x
- Refine by access: All content x
This chapter examines specific ideological and aesthetic dimensions of the representation of children in American films produced during and directly after the Second World War in relation to the promotion and operations of the United Nations. It analyses how vulnerable children from the world’s war zones appeared and functioned in four Hollywood studio pictures. These films presented groups of children to harness humanitarian sentiment in support of the ideology and activities of the UN. While the figure of the child acquired new cultural and political significance in the era of the United Nations’ wartime and post-war endeavours in humanitarianism, the presentation and performances of Hollywood’s juvenile actors simultaneously became subject to new modes of moral apprehension and aesthetic evaluation.
This collection interrogates the representation of humanitarian crisis and catastrophe, and the refraction of humanitarian intervention and action, from the mid-twentieth century to the present, across a diverse range of media forms: traditional and contemporary screen media (film, television and online video) as well as newspapers, memoirs, music festivals and social media platforms (such as Facebook, YouTube and Flickr). The book thus explores the historical, cultural and political contexts that have shaped the mediation of humanitarian relationships since the middle of the twentieth century. Together, the chapters illustrate the continuities and connections, as well as the differences, which have characterised the mediatisation of both states of emergency and acts of amelioration. The authors reveal and explore the significant synergies between the humanitarian enterprise, the endeavour to alleviate the suffering of particular groups, and media representations, and their modes of addressing and appealing to specific publics. The chapters consider the ways in which media texts, technologies and practices reflect and shape the shifting moral, political, ethical, rhetorical, ideological and material dimensions of international humanitarian emergency and intervention, and have become integral to the changing relationships between organisations, institutions, governments, individual actors and entire sectors.