Abstract only

Pauline Small

Catherine Deneuve's Italian career is relatively brief: she made three films in the early 1970s, and ten years later participated in one further production. This chapter identifies and analyses the star qualities of Catherine Deneuve as they are manifested in these films. Career profiles of Bolognini and Monicelli show that her work with them can be located exclusively within the traditions of Italian national cinema. The chapter shows that Deneuve's most significant Italian films are those she made with Marco Ferreri, in particular La cagna Ferreri, is a filmmaker much more difficult to classify as belonging within a single national cinema. Through close scrutiny of the individual film, it argues that the discourse of the film offers a complex nuancing of Deneuve's star image. At the same time, the chapter demonstrates that nevertheless, questions of continuity and difference of image inevitably inform any critical analysis of her Italian career.