Jewish Filmmakers, Social Commentary and the Postwar Cycle of Boxing Films

This essay considers how the boxing story enabled some filmmakers to politicise and individualise a popular film cycle. These mostly left-wing Jewish filmmakers understood that the boxing story offered a particularly viable vehicle for broad social commentary, a vehicle that could also be personalised by evoking a nostalgic vision of a ghetto community.

Film Studies
Abstract only

Film Studies
Abstract only

Film Studies