Censorship, Representation, Adaptation and the Persisting Myth of Pre-Code Hollywood

This article deals with the issues of censorship, adaptation and representation at stake in the 1931 and 1940 versions of Waterloo Bridge, both of which were based on a 1929 stage play. In doing so it examines the representation of female prostitution and the extent to which the trope of the fallen woman is evoked. Contesting the notion of Pre-Code films, it also examines the impact of the 1930 Production Code, the modifications to its implementation in 1934, the ways in which censorable words and actions were handled in the 1931 and 1940 versions, and the extent to which class became a major factor.

Film Studies

Film Studies
Blacklisted Writers and TV in the 1950s and 1960s

Given the relative lack of attention to specific TV programmes and episodes in interviews with surviving blacklistees until recently, given the relative lack of availability of 1950s and 1960s TV shows on video, on DVD or even in archives, given the relative lack of complete or reliable information on the credits of many TV series and shows, and given the sheer number of episodes (closer to a thousand than to hundred) requiring research, attention and study, the difficulties facing those interested in researching the blacklistees and TV are all the more formidable. This article begins the task of listing blacklistee‘s television credits.

Film Studies
Abstract only

Film Studies