Stuart Kinsella

How can the maker and deviser of The Image of Irelande, containing six designs which are described as ‘probably the finest woodcuts made in a sixteenth-century English book’ be so little known? Where did this artistry come from and where could one hone such woodcutting skills? What was the influence of the publisher, John Day, England’s ‘most important publisher of illustrated books in the second half of the sixteenth century’, and how did the artist(s) become part of the entourage of Sir Henry Sidney coming to Ireland and recording the events of his lord deputyship during the mid-1570s? This chapter addresses these questions to argue for Derricke’s connection to the creation of the woodcuts.

in John Derricke’s The Image of Irelande: with a Discoverie of Woodkarne