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Vampires, Lesbians, and Women of Colour
Victoria Amador

The lesbian community of colour in America has been largely overlooked amidst the current popular culture mania for all things vampiric. Yet the complex ambiguity of the lesbian vampire very readily lends itself to women of colour, who frequently explore in their gothic fiction the intersections of gender, sexuality, race, class, assimilation, and the transgressive significance of the vampire myth. This essay discusses two works by African-American Jewelle Gomez and Chicana- American Terri de la Pena as lesbian Gothic romantic fiction, as feminist affirmation, and as prescriptive, community-building activist discourse.

Gothic Studies
Brutishness, discrimination and the lower-class wolf-man from The Wolf Man to True Blood
Victoria Amador

Whilst the vampire has experienced an enormous resurgence in film, television and fiction in recent years, the werewolf is represented rather like a familiar or loyal canine accompanying a more powerful master. Not only does this monster carry second billing, an interesting permutation is the community status of the monster, frequently placed in a subordinate social class, relegated to the equivalent of a kennel rather than a castle. This chapter explores this lesser position of the werewolf in three particular works. First, in 1941’s The Wolf Man, despite his role as a man who ‘is pure at heart and says his prayers at night’, Lon Chaney Jr’s portrayal of Larry Talbot as a lumbering, expatriated-to-America prodigal son of a Welsh grandee posits him as a poor relation clearly out of his depth. In the Twilight series, the Native American shapeshifter, Jacob Black, lives on the reservation and cannot compete with the effete Cullen family. Finally, the notion of American Southern white/trailer trash permeates Charlaine Harris’s novels, and True Blood portrays the wolf packs as crude boondocks residents. Rather like the misrepresented wolves currently being reintroduced in various wilderness locations, these filmic werewolves are equally unwanted and undermined.

in In the company of wolves