Since the early 2000s, global, underground networks of insurrectionary anarchists have carried out thousands of acts of political violence. This book is an exploration of the ideas, strategies, and history of these political actors that engage in a confrontation with the oppressive powers of the state and capital. The vast majority of these attacks have been claimed via online communiqués through anonymous monikers such as the Informal Anarchist Federation (FAI). The emphasis of the insurrectionary, nihilist-infused anarchism is on creating war-like conditions for opposing capitalism, the state, and that which perpetuates structural violence (e.g. racism, poverty, speciesism, gender roles). To connect the various configurations of post-millennial, insurrectionary resistance, the book explores explore three of its most identifiable components, the FAI, Conspiracy of Cells of Fire (CCF), and emergent networks in Mexico. In his discussion of guerrilla warfare and terrorism, conflict theorist Richard Rubenstein points to a two-stage understanding advocated by Vietnamese leader and military strategist General Vo Nguyen Giap. The book also examines the strategy of Blanquism, the contribution of "classical anarchists," the influence of theorists such as Tiqqun and The Invisible Committee. It seeks to construct the basis for an insurrectionary framework based around a shared politic. The feminist methodology and ethic of research adds a great deal, including a reading of identity politics, standpoint theory, action-orientated research, and embedded, emotive and sincere participatory involvement. The design and methodological intent of the book is to embrace a "militant" form of inquiry which is counter to the project of securitization.
This book is an ethnographic study of the internal dynamics of a subcultural community that defines itself as a social movement. While the majority of scholarly studies on this movement focus on its official face, on its front stage, this book concerns itself with the ideological and practical paradoxes at work within the micro-social dynamics of the backstage, an area that has so far been neglected in social movement studies. The central question is how hierarchy and authority function in a social movement subculture that disavows such concepts. The squatters’ movement, which defines itself primarily as anti-hierarchical and anti-authoritarian, is profoundly structured by the unresolved and perpetual contradiction between both public disavowal and simultaneous maintenance of hierarchy and authority within the movement. This study analyzes how this contradiction is then reproduced in different micro-social interactions, examining the methods by which people negotiate minute details of their daily lives as squatter activists in the face of a funhouse mirror of ideological expectations reflecting values from within the squatter community, that, in turn, often refract mainstream, middle class norms.