This book generates a critical framework through which to interrogate the way in which religious feminists have employed women's literature in their texts. This is in order that both the way we read literature and the literature we read might be subject to scrutiny, and that new reading practices be developed. Having both the critical and constructive agenda, this is a book in two parts. The first part locates the study of the use of women's writing by religious feminists in a much wider frame than has previously been attempted. In the past individual religious feminists have been criticised, often publicly and loudly, for the use they have made of particular literary texts. Having critically surveyed previously unacknowledged constraints under which religious feminists read women's literature, the second part of the book explores how the work of women poststructuralist thinkers and theorists can enrich the reading practices. It offers alternative models for an engagement between literature and theology. Julia Kristeva is best known within the academy for her unorthodox application of Lacanian theory to contemporary culture. Her work challenges religious feminists to reassess the utilitarian approaches to literary texts and enquire into whether these might have a more powerful political role when their status as literature is recognised and affirmed. The book elucidates Luce Irigaray's thinking on sexual difference and also demonstrates its significance for feminist religious readers.
This book is about abundant, generous, other-regarding love. In the history of Western ideas of love, such a configuration has been inseparable from our ideas about divinity and the sacred, often reserved only for God and rarely thought of as a human achievement. The book is a substantial engagement with Cixous's philosophies of love, inviting the reader to reflect on the conditions of subjectivity that just might open us to something like a divine love of the other. It follows this thread in this genealogy of abundant love: the thread that connects the subject of love from fifth-century-b.c.e. Greece and Plato, to the twentieth-century protestant theology of agapic love of Anders Nygren, to the late twentieth-century poetico-philosophy of Hélène Cixous.
This book explores the work of Luce Irigaray, one of the most influential and controversial figures in feminist thought—although Irigaray herself disclaims the term ‘feminism’. Irigaray's work stands at the intersection of contemporary debates concerned with culture, gender and religion, but her ideas have not yet been presented in a comprehensive way from the perspective of religious studies. The book examines the development of religious themes from Irigaray's initial work, Speculum of the Other Woman, in which she rejects traditional forms of western religions, to her more recent explorations of eastern religions. Irigaray's ideas on love, the divine, an ethics of sexual difference and normative heterosexuality are analysed. These analyses are placed in the context of the reception of Irigaray's work by secular feminists such as Judith Butler, Drucilla Cornell and Elizabeth Grosz, as well as by feminists in religious studies such as Pamela Sue Anderson, Ellen Armour, Amy Hollywood and Grace Jantzen. Most of these thinkers reject Irigaray's proposals for women's adoption of gender-specific qualities as a form of gender essentialism. Finally, Irigaray's own spiritual path, which has been influenced by eastern religions, specifically the disciplines of yoga and tantra in Hinduism and Buddhism, is evaluated in the light of recent theoretical developments in orientalism and postcolonialism.
The recognition of a female subject is relatively recent in Western philosophy, through Western intellectual history, it has been assumed to be normatively male. This book provides the first English commentary on Luce Irigaray's poetic text, Elemental Passions, setting it within its context within continental thought. It explores Irigaray's images and intentions, developing the gender drama that takes place within her book, and draws the reader into the conversation in the text between 'I-woman' and 'you-man'. In Irigaray's philosophy of sexual difference love is of ultimate significance for the development and mutual relationship of two subjects. The book explains how the lack of a subject position for women is related to the emergence of rigid binaries, and catches a hint of how subversive attention to fluidity is to the masculinist pattern. This emphasis on desire and sexual difference obviously intersects with the psychoanalytic theories of S. Freud and J. Lacan, theories which had enormous impact on French philosophers of the time. Irigaray has used vivid imagery from the very beginning of her writings. A few of her images, in particular that of the lips, have become famous in feminist writings. The development of mutually affirming sexual subjects, different but not oppositional, and thereby the destabilizing of traditional binary categories of oppositional logic, is simultaneously highly innovative and has far-reaching consequences. The book presents a critique of Irigaray's methods and contentions to critical scrutiny, revisiting the idea of fluidity in relation to logic.