Moving between Britain and Jamaica this book examines the world of commerce, consumption and cultivation created and sustained through an engagement with the business of slavery. Tracing the activities of a single extended family – the Hibberts – it explores how the system of slavery impacted on the social, cultural, economic and political landscape of Britain during the eighteenth and nineteenth centuries. Integrating an analysis of the family as political and economic actors with an examination of their activities within the domestic and cultural sphere, the book provides an overview of the different ways in which slavery reshaped society both at home and out in the empire. From relatively humble beginnings in the cotton trade in Manchester, the Hibberts ascended through the ranks of Jamaica’s planter-merchant elite. During the abolition campaigns they were leading proslavery advocates and played a vital role in securing compensation for the slave owners. With a fortune built on slavery, the family invested in country houses, collecting, botany and philanthropy. Slavery profoundly altered the family both in terms of its social position and its intimate structure. The Hibberts’ trans-generational story imbricates the personal and the political, the private and the public, the local and the global. It is both the personal narrative of a family and an analytical frame through which to explore Britain’s participation in, and legacies of, transatlantic slavery. It is a history of trade, colonisation, exploitation, enrichment and the tangled web of relations that gave meaning to the transatlantic world.
Imperial heroes embodied the symbolic implementation of the colonial project and performed a highly mythologized meeting between conquerors and conquered. They were a crucial element of the 'European encounter with Africa' that took place as part of the Scramble for Africa. The book explores systematically the multiple outlets through which heroes of the British and French empires were celebrated, how their reputations were made over several decades and who sustained them. It looks at the general socio-cultural and political trends prevalent in Britain and France, and considers micro-economic tendencies and technological developments in the cultural industry that the development of legends revolving around imperial heroes. The book allows the reader to grasp the variety of print and audiovisual media, genres and formats through which meanings were conveyed, allowing imperial heroes to reach a 'public presence'. Two major aspects invested imperial heroes with a role in society. First is the use of their image as political argument or their own political roles. The other is the values that they embodied through their own personal dedication above and beyond the call of duty. The book presents the micro-histories of the making of the legends surrounding the figures of Major Jean-Baptiste Marchand and the Sirdar Kitchener. It details how a war correspondent George Warrington Steevens, and a publisher, Blackwood and Sons, converted the fall of Khartoum to market 'With Kitchener to Khartoum' as patriotic writing.
Most Cypriots and British today do not know that Cypriots even served in the Great War. This book contributes to the growing literature on the role of the British non-settler empire in the Great War by exploring the service of the Cypriot Mule Corps on the Salonica Front, and after the war in Constantinople. This book speaks to a number of interlocking historiographies, contributing to various debates especially around enlistment/volunteerism, imperial loyalty and veterans' issues. At the most basic level, it reconstructs the story of Cypriot Mule Corps' contribution, of transporting wounded men and supplies to the front, across steep mountains, with dangerous ravines and in extreme climates. The book argues that Cypriot mules and mule drivers played a pivotal role in British logistics in Salonica and Constantinople, especially the former. It explores the impact of the war on Cypriot socio-economic conditions, particularly of so many men serving abroad on the local economy and society. The issues that arose for the British in relation to the contracts they offered the Cypriots, contracts offered to the muleteers, and problems of implementing the promise of an allotment scheme are also discussed. Behavioural problems one finds with military corps, such as desertion and crime, were not prevalent in the Cypriot Mule Corps. The book also explores the impact of death and incapacity on veterans and dependants, looking at issues that veterans faced after returning and resettling into Cypriot life.
The military occupation of Egypt exposed the British government to charges of self-interest and the betrayal of Britain's liberal political principles. This book is a comprehensive portrait of the British colony in Egypt, which also takes a fresh look at the examples of colonial cultures memorably enshrined in Edward W. Said's classic Orientalism. It presents a study that takes Edward Said's theory of colonial culture as a first reference and follows his method of analysing various British cultural products that involved some sort of cultural exchange. British residence in Egypt was facilitated by commercial treaties, known as the 'Capitulations'. The idea of Britain's 'civilising mission' had become justification for the repression of Egypt's liberty. Arguing that Said's analysis offered only the dominant discourse in imperial and colonial narratives, the book uses private papers, letters, memoirs, as well as the official texts, histories and government reports, to reveal both dominant and muted discourses. While imperial sentiment set the standards and sealed the ruling caste culture image, the investigation of colonial sentiment reveals a diverse colony in temperament and lifestyles, often intimately rooted in the Egyptian setting. British high commissioner Sir Miles Lampson's interventions in Egyptian domestic politics marked a momentous turning point in imperial history by spurring extremist nationalism. The interwar time of uncertainty witnessed a see-sawing of the imperialistic and the liberal or internationalist impulses.
This book explores colonial gendered interactions, with a special focus on the white woman in colonial India. It examines missionary and memsahibs' colonial writings, probing their construction of Indian women of different classes and regions, such as zenana women, peasants, ayahs and wet-nurses. The three groups of white women focused upon are memsahibs, missionaries and, to a certain extent, ordinary soldiers' wives. Among white women in colonial India, it was the female missionaries who undoubtedly participated most closely in the colonial 'civilising mission'. The book addresses through a scrutiny of the literary works written by 'New Indian Women', such as Flora Annie Steel. Cross-racial gendered interactions were inflected by regional diversities, and the complexity of the category of the 'native woman'. The colonial household was a site of tension, and 'the anxieties of colonial rule manifest themselves most clearly in the home'. The dynamics of the memsahib-ayah relationship were rooted in race/class hierarchies, domestic power structures and predicated on the superiority of the colonising memsahib. The book also examines colonial medical texts, scrutinising how they wielded authoritative power over vulnerable young European women through the power/knowledge of their medical directives. Colonial discourse sought to project the white woman's vulnerability to specific mental health problems, as well as the problem of addiction of 'barrack wives'. Giving voice to the Indian woman, the book scrutinises the fiction of the first generation of western-educated Indian women who wrote in English, exploring their construction of white women and their negotiations with colonial modernities.
Some of the most compelling and enduring creative work of the late Victorian and Edwardian Era came from committed imperialists and conservatives. This book explores the relationship of the artists with conservatism and imperialism, movements that defy easy generalisations in 1899. It does so by examining the work of writers Rudyard Kipling, Joseph Conrad, Rider Haggard and John Buchan along with the composer Edward Elgar and the architect Herbert Baker. The book presents an analysis of their mutual infatuation with T. E. Lawrence, or Lawrence of Arabia, who represented all their dreams for the future British Empire. It also explores the reasons why Lawrence did not, could not, perform the role in which his elder admirers cast him, as creative artist and master statesman of British Empire. Haggard's intrusion into Sigmund Freud's dream world at a critical point in the development of psychoanalytic theory suggests a divergent approach to the novels of imperial adventure. Writing imaginative literature about India as an imperialist enabled Kipling to explore a whole universe of perverse and forbidden pleasures without blowing the top off the volcano. Elgar occupies a higher position in the world of classical music than anyone imagined even at the zenith of his popularity in the Edwardian era. John Buchan mixed art and politics to a greater extent than any British writer, especially with his 'The Loathly Opposite'. The real-life political counterparts of the imperial romance were Britain's experiments with indirect rule from Fiji and Zululand to Nigeria and Tanganyika.
Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling. Following the footsteps of relentlessly travelling activists, it brings to light the importance of music-making in the lived experience of politics. The book argues that music and music-making are highly effective lens for investigating the inter-colonial and transnational history of radicalism and reform between 1790 and 1914. It offers glimpses of indigenous agency, appropriation, adaptation and resistance by those who used the musical culture of the white colonisers. Hymn-singing was an intrinsic part of life in Victorian Britain and her colonies and those hymns are often associated with conservatism, if not reaction. The book highlights how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed, providing an opportunity to hear history as it happened. The examples presented show that music was dialogic – mediating the relationship between leader and led; revealing the ways that song moved in and out of daily exchange, the way it encouraged, unified, attacked, divided, consoled, and constructed. The study provides a wealth of evidence to suggest that the edifice of 'Australian exceptionalism', as it applies to radicals and reformers, is crumbling.
From the day that Europeans first stepped ashore to occupy the Australian continent, they were never alone. If colonists took comfort from the presence of these familiar beasts, they remained less certain of the indigenous creatures they encountered. This book argues that the practice of vivisection inextricably linked familiar animals and venomous snakes in colonial Australia, and offers a new perspective, inter alia, on science and medicine in the colonial antipodes. Public vivisections to study envenomation and antidotes established standards of proof and authority which were followed, rather than led, by learned professionals. The book establishes the concept of the colonial animal matrix, elaborating how white settlers related both to the domestic species that landed alongside them and the autochthonous animals they encountered up to 1840. By the early 1850s, plebeian expertise had established vivisection as the prime means of knowing venomous animals in Australia. Instruments and living experiments became necessary to establish objective medical facts in the antipodes. By the time that Britain legislatively regulated vivisection in mid-1876, animal experimentation had independently become de rigueur for colonial investigations of envenomation and remedies. Seeking an effective remedy for snakebite was considered sufficient reason to lessen moral consideration for animals such as dogs, involved in such experiments. Clinical experience appeared largely to trump vivisectional data for much of the 1890s. Yet, when a 'universal' antivenene appeared, predicated upon the new science of immunology, its efficacy was concomitantly discredited by the novel technologies of experimental medicine.
Royal tours of the 1800s and early 1900s, and since, have created much documentation, perhaps the most obvious record contained in newspapers and magazines, newsreels and then radio and television broadcasts. Tours expressed and promoted royal and imperial authority, though in some instances they revealed resistance against expansionist designs. The royal visitor was the central actor in a tour, but was surrounded by an entourage of other people and a store of paraphernalia that played essential roles. This book examines how presentation is managed when ambassadors are sent in place of the royal personage. Sultan Alauddin of Aceh mounted a royal tour by proxy in which he was embodied - and concealed - in his gifts and in the humbler persons of his placeholders. Prince Alfred Ernest Albert, Duke of Edinburgh, provided a template for later royal tours in three ways. First, he pioneered a new relationship with the Royal Navy as a training institution for British princes. Second, his lengthy visits paved the way for similarly ambitious global tours. Alfred's tours cultivated a range of trusted support staff. Imperial citizenship and even Britishness were embraced by non- English and non- British subjects of the queen. One young prince who was present in Britain at some of the most glittering events was Thakur Sahib Bhagvatsinh, a Rajput who ruled Gondal. The book also discusses Kaiser Wilhelm II's tour, King Sisowath and Emperor Khai Dinh's tour to France, the Portuguese crown prince's tour of Africa, and tours during Smuts's Raj.
The book investigates the concepts and related practices of development in British, French and Portuguese colonial Africa during the last decades of colonial rule. During this period, development became the central concept underpinning the relationship between metropolitan Europe and colonial Africa. Combining historiographical accounts with analyses from other academic perspectives, the book investigates a range of contexts, from agriculture to mass media. With its focus on the conceptual side of development and its broad geographical scope, the book offers new and uncommon perspectives. An extensive introduction contextualizes the individual chapters and makes the book an up-to-date point of entry into the subject of (colonial) development, not only for a specialist readership, but also for students of history, development and post-colonial studies. Written by scholars from Africa, Europe and North America, the book is a uniquely international dialogue on this vital chapter of twentieth-century transnational history and on a central concept of the contemporary world.