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Richard Hillman

: The spirit that I have seen May be a devil, and the devil hath power T’assume a pleasing shape, yea, and perhaps, Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me. (II.ii.594–99) As it happens, the archival evidence abundantly

in French reflections in the Shakespearean tragic
England’s altered confidence
Anne Sweeney

Domini’, cap. 9, 11, quoted in Fr John A. Hardon, S.J., ‘Mary: Mediatrix in the Theology of Bellarmine’, on www.therealpresence.org/archives/Mariology/Mariology_021 . 6 See M&B, lxv. 7 Marie Magdalens Funeral Teares , p. 2v; text of 1591 edition from Early English Books Online

in Robert Southwell
Anne Sweeney

(1595); see M&B, p. lvii. For a discussion of poetic parody, see Brownlow, p. 101, and Rosamund Tuve, ‘Sacred “Parody” of Love Poetry, and Herbert’, Studies in the Renaissance , 8 (1961), 250. 56 In English College Archives MS Lib. 321, fols. 102r–121r; see Dana F. Sutton (University of California

in Robert Southwell
Romantic comedy
R. S. White

’. 19 Richard Armstrong, Senses of Cinema: Billy Wilder . Online: http://archive.sensesofcinema.com/contents/directors/02/wilder.html (accessed 12 September 2009 ). 20 Gehring, Romantic vs. Screwball Comedy , 67

in Shakespeare’s cinema of love
Chloe Porter

family starred in this lively production, which had been carefully designed by Rachel Fane, her stage directions for example suggesting that the production conclude with the masquers dancing ‘ a dance of my making ’. 153 Rachel Fane also seems to have made her own games; a playing card showing the Queen of Diamonds, and inscribed ‘Rachel’, survives in the Kent Archives, Maidstone. 154 The family were

in Making and unmaking in early modern English drama
Abstract only
David M. Bergeron

… Remembrancia, Preserved among the Archives of the City of London , ed. W. H. Overall and H. C. Overall (London, 1878), p. 3. 38 Thomas Middleton, A Chaste Maid in Cheapside , ed. Linda Woodbridge in The Collected Works of Thomas Middleton , gen. eds Gary Taylor and John Lavagnino (Oxford

in Shakespeare’s London 1613
The ‘penny godlinesses’ of John Andrewes and the problem of ‘popular puritanism’ in early Stuart England
Peter Lake

a far wider source base – were much like my own. 5 Of late, the whole topic has been subjected to the sceptical gaze of Professor Ian Green. Professor Green appears to have read even more of the printed literature of the period than Professor Walsham and, on the basis of a massive (albeit eccentrically compiled) archive of ‘steady sellers’ stretching over the period from

in Formal matters
Waiting for the apocalypse in Milton’s Poems 1645
Matthew C. Augustine

, John Milton , p. 61. 57 C. Hill, Milton and the English Revolution (London: Faber & Faber, 1977), pp. 22, 23, 25–6. Some of the same anecdotes feature in Lewalski’s account of Milton’s childhood; see The Life of John Milton , p. 5. 58 T. Corns, ‘Milton before Lycidas ’, in Parry and Raymond, Milton and the Terms of Liberty , p. 27. 59 See E. Jones, ‘Milton’s archival remains, 1620–1640’, in Jones, Young Milton , p. 15. 60 Hill, Milton and the English Revolution , p. 26. See

in Aesthetics of contingency
Lord Rochester andRestoration modernity
Matthew C. Augustine

tradition places the encounter at a Whitehall ball, where Killigrew is said to have appeared ‘fully booted and spurred as though about to set out immediately on a journey’, thus prompting the scripted encounter; this version emphasises the king’s ‘uproarious laughter’ at Killigrew’s mock show. 64 Within the archives of the Folger Shakespeare Library, Matthew Jenkinson has unearthed a contemporary jest that surely runs parallel to Killigrew’s, in which Rochester is portrayed ‘helping the king to mount a mad horse whipped by the wit once Charles was firmly saddled. This

in Aesthetics of contingency
Shakespeare in the time of the political
Richard Wilson

: Anon’ (1940), quoted in Hermione Lee, Virginia Woolf (London: Chatto & Windus, 1996), p. 750. 164 Jacques Derrida, Geneses, Genealogies, Genres and Genius: The Secrets of the Archive , trans. Beverley Bie Brahac (Edinburgh: Edinburgh University Press, 2003), pp. 18

in Free Will