The afterlives of human remains at the Bełzec extermination camp
transformative dynamics underlying its
social and cultural afterlife: the transition from the era of extermi
nation to, as he called it, ‘the season of the hyenas’. ‘Bełzec was a gold
mine for the Reich … The extermination camp did not exist any
more, but Bełzec was still a gold mine.’34 Pushing Muralczyk’s valiant
literary analogy to extremes, one could nevertheless say that while
the dehumanising logic guiding the treatment of the ‘Jewish corpses’
remained almost unchanged, the approach to the mass graves differed radically. After exploiting the bodies of their victims to
Tower houses are the ubiquitous building of pre-modern Ireland. A type of castle,
the tower house was constructed c.1350–1650, and extant examples number in the
thousands. This book examines the social role of the tower house in late
medieval and early modern Ireland. It uses a multidisciplinary methodology to
uncover the lived experience of a wide range of people. This enables exploration
of the castle’s context, including how it was used as a social tool and in
environmental exploitation for economic gain. By challenging traditional
interpretations of the Middle Ages we find new evidence for the agency of
previously overlooked individuals, and thus a new insight into the transition
from medieval to modern. Each chapter in the book builds on the one preceding,
to echo the movement of trade good from environmental exploitation to entry into
global economic networks, keeping focus on the role of the tower house in
facilitating each step. By progressively broadening the scope, the conclusion is
reached that the tower house can be used as a medium for analysing the impact of
global trends at the local level. It accomplishes this lofty goal by combining
archival evidence with archaeological fieldwork and on-site survey to present a
fresh perspective on one of the best-known manifestations of Irish
The ancient Greeks experienced war in many forms. By land and by sea, they conducted raids, ambushes, battles and sieges; they embarked on campaigns of intimidation, conquest and annihilation; they fought against fellow Greeks and non-Greeks. Drawing on literary, epigraphic and archaeological material, this wide-ranging synthesis looks at the practicalities of Greek warfare and its wider social ramifications. Alongside discussions of the nature and role of battle, logistics, strategy and equipment are examinations of other fundamentals of war: religious and economic factors, militarism and martial values, and the relationships between the individual and the community, before, during and after wars. The book takes account of the main developments of modern scholarship in the field, engaging with the many theories and interpretations that have been advanced in recent years.
This is the first interdisciplinary exploration of machine culture in Italian
futurism after the First World War. The machine was a primary concern for the
futuristi. As well as being a material tool in the factory it was a social and
political agent, an aesthetic emblem, a metonymy of modernity and international
circulation and a living symbol of past crafts and technologies. Exploring
literature, the visual and performing arts, photography, music and film, the
book uses the lens of European machine culture to elucidate the work of a broad
set of artists and practitioners, including Censi, Depero, Marinetti, Munari and
Prampolini. The machine emerges here as an archaeology of technology in
modernity: the time machine of futurism.
Travelling images critically examines the migrations and transformations of images as they travel between different image communities. It consists of four case studies covering the period 1870–2010 and includes photocollages, window displays, fashion imagery and contemporary art projects. Through these four close-ups it seeks to reveal the mechanisms, nature and character of these migration processes, and the agents behind them, as well as the sites where they have taken place. The overall aim of this book is thus to understand the mechanisms of interfacing events in the borderlands of the art world. Two key arguments are developed in the book, reflected by its title Travelling images. First, the notion of travel and focus on movements and transformations signal an emphasis on the similarities between cultural artefacts and living beings. The book considers ‘the social biography’ and ‘ecology’ of images, but also, on a more profound level, the biography and ecology of the notion of art. In doing so, it merges perspectives from art history and image studies with media studies. Consequently, it combines a focus on the individual case, typical for art history and material culture studies with a focus on processes and systems, on continuities and ruptures, and alternate histories inspired by media archaeology and cultural historical media studies. Second, the central concept of image is in this book used to designate both visual conventions, patterns or contents and tangible visual images. Thus it simultaneously consider of content and materiality.
This book examines the roles and activities of women in British museums between 1850 and 1914. It shows women were active as employees, volunteers, donors, visitors, and patrons of museums, and examines the ways in which the growth of archaeology and anthropology in museums affected women, as well as their role in museums inspired by John Ruskin. It argues that to recover the extent of women’s agency in museums, we need to think of museums as distributed networks of people and objects; activities and objects outside as well as inside the museum institution worked to create knowledge and subjectivity. Such an approach reveals the rich new ways in which museums were developed by women, who brought new types of object such as social historical artefacts, and new ways of valuing and communicating those objects, as well as new concerns with community engagement and outreach. Yet the book also outlines the limits of women’s museum roles, showing how they were unable to have much influence over large, national museums, and colonised instead small, regional museums, especially those situated in slum areas. Nevertheless, it argues that women and museums between them formulated a distinctive arena for the understanding of modernity, in contrast to many other manifestations of modernity, and that museums and women helped to make each other modern.
This book provides an abundance of fresh insights into Shakespeare's life in relation to his lost family home, New Place. It first covers the first 6,000 years of the site, from its prehistoric beginnings through its development into a plot within the economic context of early medieval Stratford-upon-Avon, and the construction of the first timber-framed building. The book then describes the construction and distinctive features of Hugh Clopton's brick-and-timber house, the first New Place. Stratford-upon-Avon gave Shakespeare a deeply rooted love of family, loyal neighbours and friends, and although he came to enjoy a prominent social standing there, he probably had little or no time at all for its puritanical side. The book provides a cultural, religious and economic context for Shakespeare's upbringing; education, work, marriage, and early investments up to his son, Hamnet's death, and his father, John Shakespeare, being made a gentleman. It discusses the importance of New Place to Shakespeare and his family during the nineteen years he owned it and spent time there. The book also takes us to just beyond the death of Shakespeare's granddaughter, Elizabeth, Lady Bernard, the last direct descendant of Shakespeare to live in the house. It further gives an account of James Halliwell's acquisition of the site, his archaeology and how New Place has become an important focus for the local community, not least during the 'Dig for Shakespeare'.
This volume considers transnational and intercultural aspects of early modern
theatre, drama and performance. Its twelve chapters, loosely cosmographically
grouped into West, North and South, compose a complex image of early modern
theatre connections as a socially, economically, politically and culturally
realised tissue of links, networks, influences and paths of exchange. With
particular attention to itinerant performers, court festival, and the
significant black, Muslim and Jewish impact, they combine disciplines and
methods to place Shakespeare and his contemporaries in the wider context of
early performance culture in English, Spanish, French, Dutch, German, Czech and
Italian speaking Europe. Their shared methodological approach examines
transnational connections by linking abstract notions of wider theatre
historical significance to concrete historical facts: archaeological findings,
archival records, visual artefacts, and textual evidence. Crucial to the volume
is this systematic yoking of theories with surviving historical evidence for the
performative event – whether as material object, text, performative routine,
theatregrams, rituals, festivities, genres, archival evidence or visual
documentation. This approach enables it to explore the infinite variety of early
modern performance culture by expanding the discourse, questioning the received
canon, and rethinking the national restrictions of conventional maps to reveal a
theatre that truly is without borders.
Combining approaches to ancient Egyptian religious expression, medical practice and the modern scientific study of human and material remains from Egypt and Sudan, this volume celebrates the multidisciplinary career of Prof Rosalie David OBE. The UK’s first female Professor in Egyptology, Rosalie David’s pioneering work at the University of Manchester on Egyptian mummies, magic and medicine has attracted international attention. This volume presents research by a number of leading experts in their fields: recent archaeological fieldwork, new research on Egyptian human remains and unpublished museum objects along with reassessments of ancient Egyptian texts concerned with healing and the study of technology through experimental archaeology. Papers try to answer some of Egyptology’s biggest questions - How did Tutankhamun die? How were the Pyramids built? How were mummies made? – along with less well-known puzzles. Rather than address these areas separately, the volume adopts the so-called ‘Manchester method’ instigated by Rosalie David and attempts to integrate perspectives from both traditional Egyptology and scientific analytical techniques. Much of this research has never appeared in print before, particularly that resulting from the Manchester Egyptian Mummy Project, set up in the 1970s. The resulting overview illustrates how Egyptology has developed over the last 40 years, and how many of the same big questions still remain. This book will be of use to researchers and students of archaeology or related disciplines with an interest in multidisciplinary approaches to understanding life and death in ancient Egypt and Sudan.
In this broad sweep, Mayo explores dominant European discourses of higher education, in the contexts of different globalisations and neoliberalism, and examines its extension to a specific region. It explores alternatives in thinking and practice including those at the grassroots, also providing a situationally grounded project of university–community engagement. Signposts for further directions for higher education lifelong learning, with a social justice purpose, are provided.