of the cosmopolitan ethos, the constructivist
efforts to give the lie to Huntington’s allegation that ‘international
elites’ are ‘dead souls’ because they lack a nationalist connection and
have forgotten ‘the mystic chords of memory’ ( Huntington, 2004 ). 3 Humans need some
sense of spirit, belief, meaning , a vision of the future. To do anything at all
we must believe it is going to make a difference. Humanitarianism is one response to Max
Weber’s claim that the iron cage of rationality would rob moderns of their enchantment
Stories from a migrant city argues that a rethink of how the terms ‘immigration’, ‘migration’, ‘immigrant’ and ‘migrant’ are imagined and conceptualised is long overdue. It shows how moving away from a racialised local/migrant dichotomy can help to unite people on the basis of common humanity. The book also takes to task the idea that cosmopolitanism is necessarily an elite worldview: on the contrary, not only are axes of racialised difference often reinforced by the actions of economic and political elites, but, in certain spaces and at particular times, non-elite people of all backgrounds show themselves to be at ease with such difference, albeit that this is interwoven with ongoing racisms and the legacies of colonialism. Using a biographical approach and drawing on over one hundred stories and eight years of research by the author in the English city of Peterborough, Stories from a migrant city addresses the question of what Peterborough (and indeed England) stands for in the Brexit era, and to whom it belongs. Taken as a whole, the book’s tales from the city’s homes and streets, its 1970s and 1980s satellite New Towns, its older central neighbourhoods and its warehouse and food factory workplaces, together with its engagement with the cultural productions of residents, challenge middle-class condescension towards working-class cultures. They also reveal how the often-ignored stories from this and other provincial cities can be seen as gifts to richer, metropolitan places.
Algernon Charles Swinburne is acknowledged to be one of the most important Victorian poets, a founding figure for British aestheticism, and the dominant influence for many fin-de-siècle and modernist poets. This book is a collection of essays that re-evaluate his literary contribution. It brings together some of the best new scholarship on Swinburne, resituating him in the light of current critical work on cosmopolitanism, politics, print culture, form, Victorian Hellenism, religious controversy, gender and sexuality, the arts, and aestheticism and its contested relation to literary modernism. The first section lays emphasis on Swinburne's embeddedness and centrality in a culture from which he has been partly written out. It examines Swinburne's involvement in the history of cosmopolitanism, a field of enquiry that is attracting growing attention among literary critics. This section provides complementary accounts of the difficult and often invisible dynamics behind influence and marginalisation, unveiling narratives of problematic acceptance and problematic rejection, by a female and a male poet respectively. Through a detailed examination of Swinburne's unpublished flagellatory poem 'The Flogging-Block', the book discovers a web of connections between the nineteenth-century culture of metrical discipline and the pedagogic discipline of minors portrayed through sexual fantasy. The last section of the book examines Swinburne's own influence on his modernist successors. The twin mechanics of poetic dialogue and cultural polemic is also discussed. T. S. Eliot's ambivalence towards Swinburne left a strong mark on twentieth-century criticism.
The 'Indian Room' label from Osterley's bell-pull system illustrates the economic and cultural aspects of the relationship between country houses and the British Empire. This book is a study of that relationship, of the ways in which country houses like Osterley served as venues for the expression of personal and national imperial engagement between 1700 and 1930. A rare scholarly analysis of the history of country houses that goes beyond an architectural or biographical study, and recognises their importance as the physical embodiments of imperial wealth and reflectors of imperial cultural influences, is presented. The book assesses the economic and cultural links between country houses and the Empire. In terms of imperial values, country houses expressed both the economic and cultural impact of empire. Carr and Gladstone were only two of the many examples of colonial merchants who turned landed magnates. Nabobs - men who made their fortunes either as employees of the East India Company or as 'free traders' in India - were willing to risk their lives in pursuit of wealth. Like nabobs, planters went to the colonies in search of wealth and were prepared to spend substantial time there in order to accumulate it. Military and naval were among categories of people who purchased landed estates with imperial wealth. The book identifies four discourses of empire - commodities, cosmopolitanism, conquest and collecting - that provided the basic categories in which empire was represented in country-house context.
On the global stage the British diaspora, proportionate to its population, remains one of the largest. This book is the first social history to explore experiences of British emigrants from the peak years of the 1960s to the emigration resurgence of the turn of the twentieth century. It explores migrant experiences in Australia, Canada and New Zealand alongside other countries. The book charts the gradual reinvention of the 'British diaspora' from a postwar migration of austerity to a modern migration of prosperity. It is divided into two parts. First part presents a decade-by-decade chronology of changes in migration patterns and experience, progressing gradually from the postwar migration of austerity to a more discretionary mobility of affluence. It discusses 'pioneers of modern mobility'; the 1970s rise in non-white migration and the decline of British privilege in the old Commonwealth countries of white settlement; 'Thatcher's refugees' and cosmopolitanism and 'lifestyle' migration. Second part shifts from a chronological to a thematic focus, by drilling down into some of the more prominent themes encountered. It explores the interplay of patterns of change and continuity in the migrant careers of skilled workers, trade unionists, professionals and mobile academics. The push and pull of private life, migration to transform a way of life, and migrant and return experiences discussed highlight the underlying theme of continuity amidst change. The long process of change from the 1960s to patterns of discretionary, treechange and nomadic migration became more common practice from the end of the twentieth century.
Recognition and Global Politics examines the potential and limitations of the discourse of recognition as a strategy for reframing justice and injustice within contemporary world affairs. Drawing on resources from social and political theory and international relations theory, as well as feminist theory, postcolonial studies and social psychology, this ambitious collection explores a range of political struggles, social movements and sites of opposition that have shaped certain practices and informed contentious debates in the language of recognition.
The term la Parisienne denotes a figure of French modernity. There is significant scholarship on la Parisienne in the fields of art history, fashion theory and culture and cultural histories of Paris However, there is little written on the (re)appearance and function of the type in cinema. This book is intended as an introduction to la Parisienne and her iconography in cinema, and deals predominantly with visual and narrative conventions, derived primarily from nineteenth-century art, literature and visual culture. The iconography of la Parisienne can be categorised according to the following concepts: visibility and mobility; style and fashionability, including self-fashioning; artist and muse; cosmopolitanism; prostitution; danger; consumption; and transformation. The book argues that la Parisienne is a type which exists between art and life, and the figure that emerges from this blurring of art and life is la Parisienne as muse. It considers the cosmopolitanism of the Parisienne type, in the sense of 'anyone' and 'anywhere', and argues that la Parisienne was conceived as feminity as such. The book explores the relationship between la Parisienne, fashion and film, and looks at la Parisienne as femme fatale within the context of French film noir. It traces her development in nineteenth-century art and literature, and examines the way the Parisienne as courtesan is (re)presented in cinema. The book also investigates the contribution star personae of Brigitte Bardot, Charlotte Gainsbourg, Anna Karina, and Jeanne Moreau have made to the Parisienne type in cinema.
Universalism has acted as a stimulus for Jewish emancipation, that is, for civil, political and social inclusion. It has also been a source of anti-Jewish prejudice up to and beyond the classic antisemitism of the modern period. While the experience of Jews is by no means unique in this respect, one of the peculiarities of the 'anti-Judaic' tradition has been to represent Jews in some important regard as the 'other' of the universal: as the personification either of a particularism opposed to the universal, or of a false universalism concealing Jewish self-interest. The former contrasts the particularism of the Jews to the universality of bourgeois civil society. The latter contrasts the bad universalism of the 'rootless cosmopolitan Jew' to the good universalism of whatever universal is advanced: nation, race or class. This book explores debates over Jewish emancipation within the eighteenth-century Enlightenment, contrasting the work of two leading protagonists of Jewish emancipation: Christian von Dohm and Moses Mendelssohn. It discusses the emancipatory power of Karl Marx's critique of Bruno Bauer's opposition to Jewish emancipation and endorsement of The Jewish Question. Marxist debates over the growth of anti-Semitism; Hannah Arendt's critique of three types of Jewish responsiveness--assimilationism, Zionism and cosmopolitanism-- to anti-Semitism; and the endeavours of a leading postwar critical theorist, Jurgen Habermas are also discussed. Finally, the book focuses its critique on left antizionists who threaten to reinstate the Jewish question when they identify Israel and Zionism as the enemies of universalism.
This book analyses black Atlantic studies, colonial discourse analysis and postcolonial theory, providing paradigms for understanding imperial literature, Englishness and black transnationalism. Its concerns range from the metropolitan centre of Conrad's Heart of Darkness to fatherhood in Du Bois's The Souls of Black Folk; from the marketing of South African literature to cosmopolitanism in Achebe; and from utopian discourse in Parry to Jameson's theorisation of empire.
On being open to difference: cosmopolitanism
and the psychoanalysis of groups
What might it mean to be open to difference? The touchstone of the current
cosmopolitan vision, the concept of openness to difference, has been widely welcomed in debates across the humanities and social sciences.1 But how do we know
when others are open to the differences we represent and vice versa? What is the
register of such openness: is it cognition, intention, affect, viscera? And difference
in relation to whom or what exactly? What kind of openness is at the