Stage women, 1900–50 explores the many ways in which women conceptualised, constructed and participated in networks of professional practice in the theatre and performance industries between 1900 and 1950. A timely volume full of original research, the book explores women’s complex negotiations of their agency over both their labour and public representation, and their use of personal and professional networks to sustain their careers. Including a series of case studies that explore a range of well-known and lesser-known women working in theatre, film and popular performance of the period. The volume is divided into two connected parts. ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on- and offstage – and autobiography, activism, technique, touring, education and the law. Part II, ‘Women and popular performance’, focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros, and Oscar-winning film star Margaret Rutherford. Overall, the book provides new and vibrant cultural histories of women’s work in the theatre and performance industries of the period.
-thirds of the UWC Committee was drawn from the trade unions, the Loyalist
paramilitaries providing the other third.
6 Law is a trade unionist from the largely demolished Agnes Street area of the Lower
Shankill. For the perspective of one from within the community who defied the
strike see the memoir of Baroness May Blood (2007: 80).
7 Speaking at the conference ‘40 Years On: The Strike Which Brought Down Sunningdale’, held at Queen’s University Belfast on 19 May 2014.
8 Later Harmon fumes, rather more realistically: ‘All your moderates, all your stuck-up
Drinking to excess has been a striking problem for industrial and post-industrial
societies – who is responsible when a ‘free’ individual opts for a slow suicide?
The causes of such drinking have often been blamed on heredity, moral weakness,
‘disease’ (addiction), hedonism, and Romantic illusion. Yet there is another
reason which may be more fundamental and which has been overlooked or dismissed,
and it is that the drinker may act with sincere philosophical intent. The
Existential Drinker looks at the convergence of a new kind of excessive,
habitual drinking, beginning in the nineteenth century, and a new way of
thinking about the self which in the twentieth century comes to be labelled
‘Existential’. A substantial introduction covers questions of self, will,
consciousness, authenticity, and ethics in relation to drinking, while
introducing aspects of Existential thought pertinent to the discussion. The
Existential-drinker canon is anchored in Jack London’s ‘alcoholic memoir’ John
Barleycorn (1913), where London claims he can get at the truth of existence only
through the insights afforded by excessive and repeated alcohol use. The book
then covers drinker-texts such as Jean Rhys’s interwar novels, Malcolm Lowry’s
Under the Volcano, Charles Jackson’s The Lost Weekend and John O’Brien’s Leaving
Las Vegas, along with less well-known works such as Frederick Exley’s A Fan’s
Notes, Venedikt Yerofeev’s Moscow–Petushki, and A. L. Kennedy’s Paradise. The
book will appeal to anybody with an interest in drinking and literature, as well
as those with more specialised concerns in drinking studies, Existentialism,
twentieth-century literature, and medical humanities.
In Australia, Aotearoa New Zealand, Canada and South Africa indigenous peoples were displaced, marginalised and sometimes subjected to attempted genocide through the colonial process. This book is a collection of essays that focuses on the ways the long history of contact between indigenous peoples and the heterogeneous white colonial communities has been obscured, narrated and embodied in public culture. The essays and artwork in this book insist that an understanding of the political and cultural institutions and practices which shaped settler-colonial societies in the past can provide important insights into how this legacy of unequal rights can be contested in the present. The essays in the first part of the book focus on colonial administrative structures and their intersection with the emergence of settler civil society in terms of welfare policy, regional colonial administration, and labour unions. The second section focuses on the struggles over the representation of national histories through the analyses of key cultural institutions and monuments, both historically and in terms of contemporary strategies. The third section provides comparative instances of historical and contemporary challenges to the colonial legacy from indigenous and migrant communities. The final section of the book explores some of the different voices and strategies for articulating the complexities of lived experience in transforming societies with a history of settler colonialism.
This book focuses on the drama and poetry published since 1990. It also reflects upon related forms of creative work in this period, including film and the visual and performing arts. The book discusses some of the most topical issues which have emerged in Irish theatre since 1990. It traces the significance of the home in the poetry of Eiléan Ní Chuilleanáin and Vona Groarke. The book also focuses on the reconfigurations of identity, and the complex intersections of nationality, gender and race in contemporary Ireland. It shows how Roddy Doyle's return to the repressed gives articulation to those left behind by globalisation. The book then examines the ways in which post-Agreement Northern fiction negotiates its bitter legacies. It also examines how the activity of creating art in a time of violence brings about an anxiety regarding the artist's role, and how it calls into question the ability to re-present atrocity. The book further explores the consideration of politics and ethics in Irish drama since 1990. It talks about the swirling abundance of themes and trends in contemporary Irish fiction and autobiography. The book shows that writing in the Irish Republic and in the North has begun to accommodate an increasing diversity of voices which address themselves not only to issues preoccupying their local audiences, but also to wider geopolitical concerns.
For the three decades of the Northern Ireland ‘Troubles’ (1968–98), the United Kingdom experienced within its borders a profound and polarizing conflict. Yet relatively little research has addressed the complex effects, legacies and memories of this conflict in Britain. It occupies a marginal position in British social, cultural and political history, and the experiences and understandings of those in or from Britain who fought in it, were injured or harmed by it, or campaigned against it, have been neglected both in wider scholarship and in public policy. In the peace process since 1994, British initiatives towards ‘post-conflict’ remembering have been limited and fragmented. This ground-breaking book provides the first comprehensive investigation of the history and memory of the Troubles in Britain. It examines the impacts of the conflict upon individual lives, political and social relationships, communities and culture in Britain; and explores how the people of Britain (including its Irish communities) have responded to, and engaged with the conflict, in the context of contested political narratives produced by the State and its opponents. Setting an agenda for further research and public debate, the book demonstrates that ‘unfinished business’ from the conflicted past persists unaddressed in Britain; and advocates the importance of acknowledging legacies, understanding histories, and engaging with memories in the context of peace-building and reconciliation. Contributors include scholars from a wide range of disciplines (social, political and cultural history; politics; media, film and cultural studies; law; literature; performing arts; sociology; peace studies); activists, artists, writers and peace-builders; and people with direct personal experience of the conflict.
This collection explores how concepts of intellectual or learning disability evolved from a range of influences, gradually developing from earlier and decidedly distinct concepts, including ‘idiocy’ and ‘folly’, which were themselves generated by very specific social and intellectual environments. With essays extending across legal, educational, literary, religious, philosophical, and psychiatric histories, this collection maintains a rigorous distinction between historical and contemporary concepts in demonstrating how intellectual disability and related notions were products of the prevailing social, cultural, and intellectual environments in which they took form, and themselves performed important functions within these environments. Focusing on British and European material from the middle ages to the late nineteenth century, this collection asks ‘How and why did these concepts form?’ ‘How did they connect with one another?’ and ‘What historical circumstances contributed to building these connections?’ While the emphasis is on conceptual history or a history of ideas, these essays also address the consequences of these defining forces for the people who found themselves enclosed by the shifting definitional field.
In May 1958, and four years into the Algerian War of Independence, a revolt again appropriated the revolutionary and republican symbolism of the French Revolution by seizing power through a Committee of Public Safety. This book explores why a repressive colonial system that had for over a century maintained the material and intellectual backwardness of Algerian women now turned to an extensive programme of 'emancipation'. After a brief background sketch of the situation of Algerian women during the post-war decade, it discusses the various factors contributed to the emergence of the first significant women's organisations in the main urban centres. It was only after the outbreak of the rebellion in 1954 and the arrival of many hundreds of wives of army officers that the model of female interventionism became dramatically activated. The French military intervention in Algeria during 1954-1962 derived its force from the Orientalist current in European colonialism and also seemed to foreshadow the revival of global Islamophobia after 1979 and the eventual moves to 'liberate' Muslim societies by US-led neo-imperialism in Afghanistan and Iraq. For the women of Bordj Okhriss, as throughout Algeria, the French army represented a dangerous and powerful force associated with mass destruction, brutality and rape. The central contradiction facing the mobile socio-medical teams teams was how to gain the trust of Algerian women and to bring them social progress and emancipation when they themselves were part of an army that had destroyed their villages and driven them into refugee camps.
générale de la presse française, 5 vols. (Paris, 1969–76), I,
7 Mercure françois, IV (1617), 220, 225–30; Relation exacte, p. 459; Duccini, Concini, pp.
8 Mercure françois, IV (1617), 215–16.
9 A. Lloyd Moote, Louis XIII (Berkeley, 1989), p. 94; Assassinat du Maréchal d’Ancre (Paris, 1853),
p. 29; R. de Crèvecoeur, Un document nouveau sur la succession des Concini (Paris, 1891), p. 2.
10 Jean de Caumont, marquis de Montpouillan, Mémoires, vol. 4, Mémoires de Jacques Nompar
de Caumont, duc de La Force, ed. Marquis de la Grange, 4 vols. (Paris, 1843
are diffused across a variety of new genres. The
lesbian and gay coming-out novels of Emma Donoghue, Jamie O’Neill
and Jarlath Gregory, for instance, narrate the youthful formation of
subjectivity and sexuality in a distinctively late twentieth-century mode,
shaped by the historical emergence of new sexual rights, identities and
subcultures.4 Likewise, there is now a burgeoning teenage fiction genre
aimed directly at a young readership. Above all, much of the symbolic
power of the literary Bildungsroman has transferred to the childhood
memoir, the form which has