Ronald Hyam

Society, I, Canberra, 1970, pp. 122, 144; G. W. Martin, Episodes of Old Canberra, London, 1978; F. Henriques, Children of Caliban: Miscegenation, London, 1974. 63 W. M. Freund, ‘Race in social structure of South Africa, 1652-1836’, Race and Class, XVIII, 1976, pp. 53-67; R. Ross, Adam Kok’s Griquas, Cambridge

in Empire and sexuality
Open Access (free)
Invisibility and erasure in The Two Merry Milkmaids
Chloe Porter

-text, III.ii.58SD and n. 58SD, and Shakespeare, The Tempest , ed. Vaughan and Vaughan 1.2.303, n. 303. 21 See Michael Baird Saenger, ‘The Costumes of Caliban and Ariel qua Sea-Nymph’, Notes and Queries , 42 ( 1995 ), 334–6; Gabriel Egan expands and supports Saenger’s original suggestion that the sea

in Making and unmaking in early modern English drama
Abstract only
Richard Wilson

. 43 Julia Lupton, Citizen-Saints: Shakespeare and Political Theology (Chicago: Chicago University Press, 2005), p. 164; an earlier version appeared as ‘Creature Caliban’, Shakespeare Quarterly , 51 (2000), 1–23. 44 Ibid., p. 161

in Free Will
Kate McLuskie and Kate Rumbold

transformed McFarland’s view of Shakespeare depended on the interaction between a charismatic trainer and a receptive individual but it was also facilitated by the long-standing critical tradition that had read The Tempest as an allegory of ‘power’ presenting Caliban as the source of resistance to unauthorised and violent colonial oppression. 24 Richard Olivier

in Cultural value in twenty-first-century England
Abstract only
On with The Knight’s Tale
Helen Barr

power. Hounded by dogs that recall those that Ariel conjures up in The Tempest to bait the would-be usurping trio of Trinculo, Stephano and Caliban, the stag is killed in a tempestuous finale.32 Foresters command the audiences, both on stage and off, to ‘[s]ee the Stag’s head which so did spread his bream / The small trees did seem to envy him’. 33 The antlers of the dead stag are a political and theatrical trophy. Envied by the small trees, the ten-branched antlers form a puny contrast to the emblem of Charles II as the Royal Oak.34 The Rivals creates a version of

in Transporting Chaucer
Bryan Cheyette

of Race Harmondsworth: Penguin Frantz Fanon and the Black-Jewish imaginary 99 McCulloch, J. (1983) Black Soul, White Artifact: Fanon’s Clinical Psychology and Social Theory, Cambridge: Cambridge University Press Macey, D. (2000) Frantz Fanon: A Life, London: Granta Mannoni, O. (1950) Psychologie de la colonisation, Paris: Seuil (Prospero and Caliban: the Psychology of Colonisation, trans. P. Powesland, London: Methuen, 1956) Marriott, D. (2000) On Black Men, Edinburgh: Edinburgh University Press Nochlin, L. and Garb, T. (eds) (1995) The Jew in the Text

in Frantz Fanon’s 'Black Skin, White Masks
Child circulation
Ginger S. Frost

, 1889–1911. 35 M. Penn, Manchester, Fourteen Miles (Firle: Caliban Books, 1979), 5–9; Murdoch, Imagined Orphans, pp. 67–119; Keating, Child, pp. 6–18; E.  Walker, ‘Adoption, narrative, and nation, 1800–1850:  The case of William Austin’, Journal of British History 53:4 (2014), 960–91. See also Berrow’s Worcester Journal (8 January 1885), p. 3. 36 The Times (15 December 1892), p. 11; (19 December 1892), p. 12 (for quote); (28 December 1892), p. 11; (14 January 1893), p. 13; Western Mail (16 December 1892), p. 7; (20 December 1892), p. 5; POBO, 9 January 1893, Case

in Illegitimacy in English law and society,1860–1930
Abstract only
Brian Lewis

at The Bungalow he decided to hide it away in his safe; but as the safe was too small, he roughly cut out the head of the portrait and stuffed that inside instead – a sort of psychological suicide, Harley Williams called it, the rage of Caliban at being confronted with his true self. The story goes that Lever’s housekeeper then mistakenly returned the packing case with decapitated portrait to John, who, understandably, took it to be ‘the grossest insult I have ever received in the course of my career.’ Lever apologized profusely, but John still took the story to

in ‘So clean’
Steven King

. Shuttleton, Smallpox and the Literary Imagination 1660–1820 (Cambridge: Cambridge University Press, 2007); S. Williamson, The Vaccination Controversy: The Rise, Reign and Fall of Compulsory Vaccination for Smallpox (Liverpool: Liverpool University Press, 2007); P. Razzell, The Conquest of Smallpox: The Impact of Inoculation on Smallpox Mortality in Eighteenth Century Britain (Firle: Caliban Books, 1977). For a recent argument that the purpose of inoculation was not to eliminate smallpox but to ameliorate the symptoms of an inevitable disease see A. Eriksen, ‘Cure or

in Sickness, medical welfare and the English poor, 1750–1834
Peter Davies and Robert Light

Cricket in the West Riding of Yorkshire (Huddersfield, Cricket Heritage Publications, 2008). Bell’s Life, 22 Aug 1841. Bell’s Life, 5 Sep 1841. The Era, 30 Jul 1843. The Era, 30 Jul 1843. See D. Brailsford, Sport, Time and Society: British at Play (London, Routledge, 1991), p. 14. See J. Lawson, Progress in Pudsey (Sussex, Caliban Books, 1978 (first published 1887)), p. 82. See Rev. R.S. Holmes, The History of Yorkshire County Cricket 1833–1903 (London, Archibald Constable and Co., 1904), p. 11. See Sheffield Independent, 2 Sep 1826. See Halifax Guardian and

in Cricket and community in England