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David Murphy and Patrick Williams

respects it was due to the efforts of Phillips and AMB [American Missionary Board]. Even before the opening of the BMSC [Bantu Men’s Social Club], Phillips and Bridgman were publicly acknowledged as ‘the pioneers of the pictorial education of the Native’. (Petersen 2003 : 38) Is important to note, however, that the supposedly benevolent paternalistic

in Postcolonial African cinema