The social imaginary of the London bog-house c.1660–c.1800
Genuine Works of William Hogarth:
Illustrated with Biographical Anecdotes, 2 vols (London, 1810), vol.
2, p. 10n.
3 The figure owes something to George Bickham’s engraved portraits
of central protagonists in the 1743 mutiny of the HighlandRegiment:
R. Nicholson, Bonnie Prince Charlie and the Making of a Myth
(Lewisburg: Bucknell University Press 1982), p. 65; C. Le Corbeiller,
China Trade Porcelain (New York: Metropolitan Museum of Art,
1974), pp. 94–5; J. Prebble, Mutiny (London: Secker & Warburg,
1975), ch. 1.
4 By depicting a privy with seats for two adults and