Search results

You are looking at 1 - 10 of 1,564 items for :

  • Literature and Theatre x
Clear All

3 Making meaning from moral reading Popular reading in English c. 1400–1600 1 Making meaning from moral reading This chapter is concerned with moral reading and focuses on a collection of short moral stories known as the Gesta Romanorum (Tales of the Romans), which were being copied, printed and circulated during the fifteenth and sixteenth centuries. The stories have a distinctive style and follow a particular pattern. They are all set in the time of a particular named Roman emperor, each story being identified as the story of that emperor. This locates them

in Popular reading in English c. 1400–1600
Marie Helena Loughlin

ch a pt e r 1 Religious and Moral Writings Religious and Moral Writings Introduction The condemnation of male and female same-sex sexual acts is embedded in the earliest Christian theology regarding sexuality, heterosexual marriage, and reproduction: human genitalia were created for reproduction, mirroring the creative act of God. Thus, using the genitals for anything other than reproduction was a violation of God’s intentions for the sexual and reproductive organs, of his command to Adam and Eve to ‘be fruitful and multiply’ (Gen. 1.28), and of his larger plan

in Same-Sex Desire in Early Modern England, 1550–1735

5  The death of Cordelia and the economics of preference in eighteenth-century moral psychology William Flesch Biology recapitulates economics: at least evolutionary biology seems to be rediscovering and analysing the same kinds of ideas that the great eighteenth-century economic psychologists (from Mandeville to Hume to Smith) had explored. Over the last few years there has been a heated debate among evolutionary theorists – scientists, mathematicians, the odd humanist – about whether altruism is possible, given the core idea that evolution is driven by the

in Writing and constructing the self in Great Britain in the long eighteenth century
Melodrama, Mystery, and the Nightmare of History in Jessie Fauset‘s Plum Bun

This essay discusses how African-American novelist Jessie Fauset used the Gothic motif of a hidden history to critique the melodramatic happy ending of her best novel, one set in New York city in the 1920s. What undermines the ‘moral legibility’ of melodrama is the Gothic implications of an unsolved crime in the past, one that, ironically, continues to haunts the ‘New Negro’ of the Harlem Renaissance who claims to have reinvented him or herself in the modern city.

Gothic Studies
A ‘Lost’ Epilogue to Maturin‘s Bertram?

This essay discusses the possibility of a new reading of Charles Maturins Bertram; or, The Castle of St. Aldobrandon the basis of a hitherto ignored manuscript, ‘Epilogue’ to the drama found in the archives of publisher John Murray. The essay adds a new chapter to the tormented publishing history of this work and sheds light on the ambiguous and shifting moral and political interpretations given by both Maturin and his audience to one of the most famous Gothic dramas.

Gothic Studies

Elizabeth Gaskell used Gothic as a symbolic language to explore the dark side of Unitarian thought. She explores, in rationalist terms, evils origins, effects, and remedy, using Gothic tropes as metaphors for humanly created misery. Gaskell locates the roots of ‘evil’ in an unenlightened social order – in ‘The Crooked Branch’ erroneous parenting, and in ‘The Poor Clare’ wider social structures, both distorted by the ideology of privilege. ‘The Poor Clare’ also engages with the tension between moral determinism and personal responsibility, and defends a Unitarian salvation. This tale also demonstrates Gaskell‘s views on aspects of Roman Catholicism.

Gothic Studies
Zoographic Ambivalences in Mantegazza, Ouida, and Vernon Lee

In the framework of contemporary ecocritical theories, this comparative analysis of works by Paolo Mantegazza, Ouida, and Vernon Lee focuses on the conflictual relationship of proximity and differentiation at stake in the human-animal distinction in a post-Darwinian context dominated by the rise of experimental sciences. A discussion of vivisection and animal taming prompted by anthropocentric works as Fisiologia del dolore and Upilio Faimali in tension with proanimal essays by Ouida and Lee shows how the animal, caught between pure inert materiality and idealization, emerges as an intrinsic lack that the human fills with contending rational, utilitarian, moral, and affective motivations.

Gothic Studies
Abstract only
Mary Robinson and the Gothic

Mary Robinson‘s decision to publish in a notorious genre, the Gothic, drew further attention to her own sexual and moral notoriety. In Hubert de Sevrac, a Romance of the Eighteenth Century (1796) and Memoirs of the Late Mrs. Robinson (1801), she manipulates the publiccs taste for the type of Gothic fiction popularised by Ann Radcliffe and offers the sexually experienced heroine as a counter-ideal to Radcliffe‘s sexually naive characters. These works strategically revise conventional Gothic discourse in order to reassign the cultural significance of active female sexuality to fictional women, and, ultimately, to Robinson herself.

Gothic Studies
Abstract only
The Scene of Addiction

William Burroughs’ texts provide us with one of the most self-conscious of guides through an addicted world which is violently dislocated from linear time, while at the same time undermining the reliability of such a guide. In this Gothicised world we cannot trust the account of the addict; but this also implies that we cannot trust ourselves in the moment of addiction to reading. While we are secretly communing with the texts, we are also liable to ‘forget’, or to ignore, the outer parameters which comprise the moral universe; we are freed but, paradoxically, we find difficulty in reporting the content of this freedom. Here we find an essential link, which can also be found across Gothic fiction, to the notion of ‘psychotic rapture’, and a dislocation between the force of the messages ‘broadcast’; to us from the outside and the alignment of these messages with the counterforce of the world of experience.

Gothic Studies

Throughout the nineteenth century, the term ‘uncomfortable houses’ was used to describe properties where restless spirits made life unpleasant for any living persons who tried to claim these supernatural residences as their own. This article uses the idea of ‘uncomfortable houses’ to examine how this ghostly discomfort related to larger cultural issues of economics and class in Victorian Britain. Authors such as Charlotte Riddell and Margaret Oliphant used the haunted house story as a means of social critique which commented on the financial problems facing many lower- and middle-class Victorians. Their stories focus on the moral development of the protagonists and reconciliation through the figure of the ghost, ultimately giving readers the happy endings that many male-authored ghost stories lack. Riddell‘s ‘The Old House in Vauxhall Walk’ and ‘Walnut-Tree House’ and Oliphant‘s ‘The Open Door’ serve as important examples of this ‘suburban Gothic’ literature.

Gothic Studies