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Mise-en-scène
Andrew Dix

by choosing a stock that produces unexpected colour relations. During filming itself they might select from a number of filtering media that moderate or even exclude certain colours while promoting others (Steven Soderbergh’s Traffic (2000) systematically uses colour filters to achieve three distinct looks of bleached-out yellow, steely blue and vibrant primaries, each corresponding to one of the film’s several narrative strands). Colour may also be chemically modified after filming via manipulations of the developing process. All of these adjustments to colour

in Beginning film studies (second edition)