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hands of the enemy such as prisoners of war ( The Bridge on the River Kwai (David Lean, UK/USA, 1957) or The Great Escape (John Sturges, USA, 1963)). 15 Jean-Sébastien Chauvin , ‘ Fiction’ in Antoine de Baecque and Philippe Chevallier (eds), Dictionnaire de la pensée du cinéma ( Paris : PUF, 2012 ) 298–9 . 16 See e.g. The Road to Guantanamo (Mat Whitecross and Michael Winterbottom, UK, 2006). More generally, see Steven N. Lipkin , Derek Paget and Jane Roscoe , ‘Docudrama and Mock-Documentary: Defining Terms, Proposing Canons