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Performing the politics of passion: Troilus and Criseyde and Troilus and Cressida and the literary tradition of love and history
Andrew James Johnston and Russell West-Pavlov

working backwards to effect ever-new revisions of the archive upon which it depends. This means, secondly, that the causal relationship of sequential order which nineteenth-century historicism imposed upon time, and whose measure was that of various scales of periodization, is fundamentally disturbed in its logic. This is an altogether more radical notion than the mere assertion of political tendentiousness

in Love, history and emotion in Chaucer and Shakespeare