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Jane Chin Davidson

Action/WEAD,’ Bamboo Curtain Studio Newsletter (3 December 2014). 40 Jason W. Moore, ed., Anthropocene or Capitalocene? Nature, History, and the Crisis of Capitalism (Oakland: PM Press, 2016), 51. 41 Ibid. 42 Patty Chang, The Wandering Lake (New York: Queens Museum and Dancing Foxes Press, 2017), 31; and from the exhibition materials for Patty Chang: The Wandering Lake 2009–2017, 18 February 2018 at the Queens Museum. 43 Chang, The Wandering Lake, 66. 44 Luce Irigaray, ‘The “Mechanics” of Fluids,’ This Sex Which is Not One, tr. Catherine Porter (Ithaca

in Staging art and Chineseness
(eco)feminist interpellations of Chineseness in the work of Yuk King Tan, Cao Fei, and Wu Mali
Jane Chin Davidson

Mali, ‘Ecofeminism: Art as Environment – A Cultural Action/WEAD,’ Bamboo Curtain Studio Newsletter (3 December 2014). 60 Shao, ‘Interview with Wu Mali.’ 61 Ibid. 62 The Inside Out: New Chinese Art was organized by the Asia Society Galleries and the San Francisco Museum of Modern Art, debuting at the Asia Society Galleries, New York, and P.S. 1, Long Island, New York, 15 September 1998. 63 See Cindy Sui, ‘Taiwan Kuomintang: Revisiting the White Terror Years,’ BBC News Taipei (13 March 2016), www.bbc.com/news/world-asia-35723603 (accessed 20 December 2018). 64

in Staging art and Chineseness