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Fin-de-siècle gothic and early cinema
Paul Foster

/being looked at; a kind of fictional anticipation of the shot/reverse shot of classical Hollywood cinema, in fact. The sort of contemplative absorption embodied by the aesthete Wotton is possible the morning after, as Gray gazes at the portrait ‘with a feeling of almost scientific interest’ (Wilde, 2003 : 93). But it is provisional. His detachment collapses with the thought that the picture has

in Monstrous media/spectral subjects