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Christopher Tyerman

varied relationship with crusading, hitherto largely neglected.44 Further removed from classical crusade studies, in books such as Medieval Film and Queer Movie Medievalisms, the genre of film studies argues for the inclusion of this popular medium as conveying serious interpretive messages, from Cecil B. de Mille’s The Crusades (1935) to Ridley Scott’s Kingdom of Heaven (2005), the latter’s fundamental, meretricious historical errors nonetheless attracting the fury of Muslim activists and right-wing Christians alike.45 The Crusades and politics Such reactions to

in The Debate on the Crusades