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Neoliberal gothic
Linnie Blake and Agnieszka Soltysik Monnet

’ to compete. What are notable in all three chapters here are the ways in which neoliberalism’s insistence that there isno alternative’ to it are embodied in the gothic texts under consideration, sometimes overtly and sometimes in their inability to posit a viable mode of being outside the neoliberal matrix of bio-power. Aspasia Stephanou’s chapter, ‘Game of fangs: the vampire and

in Neoliberal Gothic