’ to compete.
What are notable in all three chapters here are the ways
in which neoliberalism’s insistence that thereis ‘noalternative’ to it are embodied in the gothic texts under
consideration, sometimes overtly and sometimes in their inability to
posit a viable mode of being outside the neoliberal matrix of bio-power. Aspasia
Stephanou’s chapter, ‘Game of fangs: the vampire and