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Germanic example is Kutluğ Ataman’s Lola and Billy the Kid , released in 1999 , a film about Turkish queerness and transvestism in contemporary Germany. Although the distinctiveness of Turkish Islamism has been explored in Özpetek’s work, the negotiation of Turkish queerness in other European locales would continue qualifying Kemalist and Islamist homophobia. If my critical attention in this book has been devoted to, chiefly, queer Muslim artists located in the Anglophone West, with the exceptions of France and Italy, the North/South axis

in Queer Muslim diasporas in contemporary literature and film