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A context for The Faerie Queene
Margaret Christian

in which works of art have been produced, but some works using this approach have been criticized for reckless generalization – extrapolating whole climates of thought from small morsels of contemporary gossip or single anecdotes – and for reading every text and historical situation for its analysis of power relations, ignoring other motivations for the production of art and the practice of religion. Among the historical studies produced in the second half of the twentieth century are a handful that drew attention to annotations in early printed copies of The

in Spenserian allegory and Elizabethan biblical exegesis