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1990s and early 2000s –​and different too from the glossy palate he established in JFK and Nixon. The cinema-​vérité style that framed Castro, Chávez and the Palestinian and Israeli leaders was notably different from the didactic approach employed in the subsequent Untold History series, yet both shared a utilitarian approach to structure and presentation that perhaps only Errol Morris has matched. The comparison of Untold History with, say, Eugene Jarecki’s Why We Fight (2005) is interesting too. Jarecki’s film found many plaudits and nothing like as much disquiet

in The cinema of Oliver Stone