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The Marshall Plan films about Greece
Katerina Loukopoulou

the MP films inaugurated the visual politics of what historian of international affairs Michael Barnett has called ‘the age of neo-humanitarianism’, the period from the end of the Second World War up to the end of the Cold War. This period was characterised by a new ‘architecture of humanitarianism’, dominated at large by the patterns established by the United States during the Second World War, which were

in Global humanitarianism and media culture
Juvenile actors and humanitarian sentiment in the 1940s
Michael Lawrence

“art,” are awash with the same trappings of sentimentality … that are often considered negative in “commercial” narrative films’. 38 Karl Schoonover has discussed the international reception of Italian neorealism in relation to ‘the emergence of a new visual politics of liberal compassion’ and argues that for both American and European commentators alike ‘an emergent realist aesthetic of cinema could build new vectors of post

in Global humanitarianism and media culture
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The management of migration between care and control
Pierluigi Musarò

article on the visual politics of this operation, speaking the language of combating human smuggling and potential terrorists, while rescuing lives and protecting migrants’ human rights, Mare Nostrum performs the spectacle of the ‘humanitarian battlefield’. 37 The concept of ‘humanitarian battlefield’ can be better understood if we investigate the communication performances of Mare Nostrum within what

in Global humanitarianism and media culture