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8 Baroque modernity, critique and Indigenous epistemologies in museum representations of the Andes and Amazonia Anthony Alan Shelton The Andes and Amazonia have long undergone profound mythologisation in European and American literature, art, and, more recently, in widely circulated and proliferative museum exhibitions. This chapter sets out to identify and describe five specific genres and characteristics of exhibitions from 1980 to the present, and, by focusing on two uniquely important examples, The Potosí Principle (2010–2011) and Amazonie: Le chamane et la

in Curatopia