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Anatomy of a metaphor
John M. Ganim

women of film noir were controlled and punished ultimately by patriarchal figures, the disorientation of such postmodern fiction is that pleasure and danger are inseparable and even the male figures are now ‘petulant, temperamental and uncertain’. 16 In a thorough study of crime film Thomas Leitch associates the idea of the criminal protagonist in gangster films and noir with the passing of the

in Medieval film