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values attached (e.g. ethnicity, race, gender), consumption statuses (e.g. yuppie, punk, etc.) or value-commitment statuses (e.g. feminism, environmentalism, etc.). 4 See also the edited volume by Lawson (1994), in particular the preface by Lawson and chapters by Wilson and Deschouwer. 5 Blyth and Katz (2005, 45) identify several approaches that shore up the new ‘cartel party’ form. 6 See also Keck and Sikkink (1998) and Van Rooy (2004). 7 See Greenwood and Halpin

in Groups, representation and democracy
Abstract only
Expanding geopolitical imaginations

of protest. The songs, which include titles such as ‘The Spaniard’ and ‘Irrational Anthem’, loudly contest Donald Trump's Senate Bill 4 to de-fund sanctuary. These songs (which can be found at the independent music site https://austinsongsofprotest.bandcamp.com/releases ) stir a variety of feelings and waves of emotion. Blending punk, folk, and classical music, this album elicits a range of responses. Figure 5.11 ‘Austin Songs of Protest from a Sanctuary City’, album cover

in Sanctuary cities and urban struggles