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Katherine Fennelly

relationships between members of punk culture in London in the 1970s ( 2011 ). Similarly, Katherine Giles and Melanie Giles’s study of twentieth-century graffiti in rural farmhouses in the Yorkshire Wolds looked at graffiti as the material, as well as textual, indicator of routines and accounts of life experiences ( 2010 ). In the context of an historical institution, Eleanor Casella’s examination of prisoner graffiti in Ireland relating to penal transportation emphasises the act of the inmate in creating graffiti. Casella paints a vivid picture of graffiti ‘painstakingly

in An archaeology of lunacy