Search results

You are looking at 1 - 10 of 138 items for :

  • "British monarchs" x
  • Refine by access: All content x
Clear All
The iconography of Elizabeth I

The visual images of Queen Elizabeth I displayed in contemporary portraits and perpetuated and developed in more recent media, such as film and television, make her one of the most familiar and popular of all British monarchs. This book is a collection of essays that examine the diversity of the queen's extensive iconographical repertoire, focusing on both visual and textual representations of Elizabeth, in portraiture, literature, contemporary sermons, speeches and alchemical treatises. It falls into three sections. The first part looks at the diverse range of religious and quasi-religious images that were employed by and about Elizabeth, such as the Prophetesse Deborah, the suggestive parallel with Joan of Arc, and finally Lady Alchymia, the female deity in alchemical treatises. When Queen Elizabeth I, the first female Protestant monarch, was enthroned in 1558, male poets, artists, theologians, and statesmen struggled to represent this new phenomenon. The second part turns to one of the major enterprises of the Elizabethan era, the attempt to colonise the New World, during which the eastern seaboard of America was renamed Virginia in celebration of the Virgin Queen. The last part focuses on the ways in which the classical world was plundered for modes of imaging and figuring the queen. Finally, the book summarises the enormously wide range of Elizabeth's iconographical repertoire of its appeal, and provides a fitting end to a book which ranges so widely across the allegorical personae of the queen.

Coronations and jubilees
Jeffrey Richards

that the three national anthems of the United Kingdom, whose identity was so strongly tied up with the Protestant succession, were composed by Catholics: Arne and Elgar. Coronations As Philip Ziegler wrote, ‘The coronation of a British monarch is the event which brings him more dramatically than any other to the forefront of his people

in Imperialism and music
The republican referendums in South Africa and Rhodesia
Christian D. Pedersen

From the late nineteenth century, the British monarch was the constitutional head and cultural symbol of Greater Britain, a spiritual nexus providing unity and identity to a worldwide community of Britons. In Britons , Linda Colley identified the monarchy as central to the process through which the British defined themselves as a single people in the first place, while

in The break-up of Greater Britain
Steve Poole

consequences of royal insanity.8 Although his great dignity under affliction did George immense credit, his derangement and official incapacity played some part in the construction of a secular, fallible and essentially ordinary monarchy. The suffering George, with his delicately wavering personal and institutional authority, was the first British monarch to invite both sympathetic approachability and unruffled voyeurism among his subjects. That the King’s illness should have struck him at a time when political ‘madness’ was threatening to sweep monarchs from their thrones

in The politics of regicide in England, 1760–1850
The repatriation of the Kandyan regalia to Ceylon
Robert Aldrich

, setting in place law codes, administration and taxation. The first British Resident in Kandy, John D’Oyly, respectfully took part in Buddhist processions and made temple offerings, just as the kings had done. Governor Brownrigg, created a baronet in March 1816, later incorporated a representation of the Kandy crown and sceptre into his personal coat of arms. Governors represented the British monarch with

in Crowns and colonies
Editor: Mandy Merck

Moving images of the British monarchy, in fact and fiction, are almost as old as the moving image itself, dating back to an 1895 dramatic vignette, The Execution of Mary Queen of Scots. Led by Queen Victoria, British monarchs themselves appeared in the new 'animated photography' from 1896. Half a century later, the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century's end, Princess Diana's funeral was viewed by 2.5 billion worldwide. Seventeen essays by international commentators examine the portrayal of royalty in the 'actuality' picture, the early extended feature, amateur cinema, the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. These contributors include Ian Christie, Elisabeth Bronfen, Andrew Higson, Steven Fielding, Karen Lury, Glyn Davis, Ann Gray, Jane Landman, Victoria Duckett, Jude Cowan Montague, James Downs, Barbara Straumann, Deirdre Gilfedder, Jo Stephenson, Ruth Adams, Erin Bell, Basil Glynn and Nicola Rehling.

Salutations from a Dutch queen’s supporters in a British South Africa
Susie Protschky

In 1910 the Union of South Africa became a British Dominion. However, rather than proclaim loyalty to the British monarch –the titular head of the British empire – some South Africans, notably those who identified as Afrikaners or Netherlanders, professed loyalty to the monarch of a rival empire, the Dutch Queen Wilhelmina. This chapter examines oorkonden (decorative letters) sent to Wilhelmina from her supporters in South Africa throughout her reign (1898–1948). The letters provide new evidence of how links with a Dutch colonial past that pre-dated British colonisation were revived by a white community reeling from defeat in the South African War (1899–1902), who continued to contest certain modes of their integration into a British imperium. The letters also suggest the particular appeal of a female king to Afrikaner women in a nascent women’s movement. Finally, the letters reveal the persistence of a notional ‘Dutch world’ that exceeded the bounds of the Netherlands’ formal empire in the early twentieth century.

in Crowns and colonies
Place, space and discourse
Editors: Christine Agius and Dean Keep

Identity is often regarded as something that is possessed by individuals, states, and other agents. In this edited collection, identity is explored across a range of approaches and under-explored case studies with a view to making visible its fractured, contingent, and dynamic features. The book brings together themes of belonging and exclusion, identity formation and fragmentation. It also examines how identity functions in discourse, and the effects it produces, both materially and in ideational terms. Taking in case studies from Asia-Pacific, Europe, the Middle East and Latin America, the various chapters interrogate identity through formal governing mechanisms, popular culture and place. These studies demonstrate the complex and fluid nature of identity and identity practices, as well as implications for theorising identity.

Crossing boundaries and negotiating the cultural landscape
Author: Janice Norwood

Victorian touring actresses: Crossing boundaries and negotiating the cultural landscape provides a new perspective on the on- and offstage lives of women working in nineteenth-century theatre, and affirms the central role of touring, both within the United Kingdom and in North America and Australasia. Drawing on extensive archival research, it features a cross-section of neglected performers whose dramatic specialisms range from tragedy to burlesque. Although they were employed as stars in their own time, their contribution to the industry has largely been forgotten. The book’s innovative organisation follows a natural lifecycle, enabling a detailed examination of the practical challenges and opportunities typically encountered by the actress at each stage of her working life. Individual experiences are scrutinised to highlight the career implications of strategies adopted to cope with the demands of the profession, the physical potential of the actress’s body, and the operation of gendered power on and offstage. Analysis is situated in a wide contextual framework and reveals how reception and success depended on the performer’s response to the changing political, economic, social and cultural landscape as well as to developments in professional practice and organisation. The book concludes with discussion of the legacies of the performers, linking their experiences to the present-day situation.

Irish republican media activism since the Good Friday Agreement
Author: Paddy Hoey

Newspapers, magazines and pamphlets have always been central, almost sacred, forms of communication within Irish republican political culture. While social media is becoming the primary ideological battleground in many democracies, Irish republicanism steadfastly expresses itself in the traditional forms of activist journalism.

Shinners, Dissos and Dissenters is a long-term analysis of the development of Irish republican activist media since 1998 and the tumultuous years following the end of the Troubles. It is the first in-depth analysis of the newspapers, magazines and online spaces in which the differing strands of Irish republicanism developed and were articulated during a period where schism and dissent defined a return to violence.

Based on an analysis of Irish republican media outlets as well as interviews with the key activists that produced them, this book provides a compelling long-term snapshot of a political ideology in transition. It reveals how Irish Republicanism was moulded by the twin forces of the Northern Ireland Peace Process and the violent internal ideological schism that threatened a return to the ‘bad old days’ of the Troubles.

This book is vital for those studying Irish politics and those interestedin activism as it provides new insights into the role that modern activist media forms have played in the ideological development of a 200-year-old political tradition.