Social constructivist discourseanalysis
has, since the early 1990s, become increasingly popular across the social
sciences, including international relations. The aim of this chapter is to
outline the possibilities for the use of discourseanalysis in the study of
European foreign policy. Pure rationalists often dismiss EU foreign policy
as ‘just words’ or ‘declaratory diplomacy’ as it is
Discourses on LGBT asylum in the UK analyses fifteen years of debate, activism and media narrative and examines the way asylum is conceptualized at the crossroads of nationhood, post colonialism and sexual citizenship, reshaping in the process forms of sexual belongings to the nation. Asylum has become a foremost site for the formulation and critique of LGBT human rights. This book intervenes in the ongoing discussion of homonationalism, sheds new light on the limitations of queer liberalism as a political strategy, and questions the prevailing modes of solidarity with queer migrants in the UK. This book employs the methods of Discourse Analysis to study a large corpus encompassing media narratives, policy documents, debates with activists and NGOs, and also counter discourses emerging from art practice. The study of these discourses illuminates the construction of the social problem of LGBT asylum. Doing so, it shows how our understanding of asylum is firmly rooted in the individual stories of migration that are circulated in the media. The book also critiques the exclusionary management of cases by the state, especially in the way the state manufactures the authenticity of queer refugees. Finally, it investigates the affective economy of asylum, assessing critically the role of sympathy and challenging the happy goals of queer liberalism. This book will be essential for researchers and students specializing in refugee studies and queer studies.
This book reviews a variety of approaches to the study of the European Union's foreign policy. Much analysis of EU foreign policy contains theoretical assumptions about the nature of the EU and its member states, their inter-relationships, the international system in which they operate and the nature of European integration. The book outlines the possibilities for the use of discourse analysis in the study of European foreign policy. It sets out to explore the research problem using a political-cultural approach and seeks to illuminate the cognitive mind-maps with which policy-makers interpret their political 'realities'. The book provides an overview and analysis of some of the non-realist approaches to international relations and foreign policy, and proposes an analytical framework with which to explore the complex interplay of factors affecting European foreign policy. The book suggests one way of seeking theoretical parsimony without sacriﬁcing the most deﬁning empirical knowledge which has been generated about Common Foreign and Security Policy (CFSP) over the years. It argues that while the sui generis nature of CFSP presents an acute problem for international relations theory, it is less pronounced with regard to traditional integration theory. The book discusses the dimensions of European foreign policy-making with reference to the case of arms export controls. Situated at the interface between European studies and international relations, it outlines how the EU relates to the rest of the world, explaining its effort towards creating a credible, effective and principled foreign, security and defence policy.
The recent uses of digital technology in war films have sparked a wave of
discussions about new visual aesthetics in the genre. Drawing on the approach of
film discourse analysis, this article critically examines recent claims about
new visual grammar in the war film and investigates to what extent the insertion
of different media channels has affected the persuasive function of the genre.
Through a detailed analysis of Redacted (2007), which
constitutes an extreme case of a fiction filmmaking use of a variety of digital
channels, this article demonstrates that the multimedia format works within
systems of classical film discourse while also generating new patterns of
persuasion tied to new visual technology.
Engendering an avant-garde: the unsettled landscapes of Vancouver photo-conceptualism is the first book to comprehensively examine the origins of Vancouver photo-conceptualism in its regional context between 1968 and 1990. Employing discourse analysis of texts written by and about artists, feminist critique, and settler colonial theory, the book discusses the historical transition from artists’ creation of ‘defeatured landscapes’ between 1968-1971 to their cinematographic photographs of the late 1970s, and the backlash against such work by other artists in the late 1980s. This book analyses Jeff Wall and Ian Wallace’s strategic framing of their photography as avant-garde, and considers their rejection of the history of regional landscape painting (such as Emily Carr’s work), the rejection of the counter-cultural experiments of their peers, and the integration of feminist challenges to figurative representation into their work. It is the first study to provide a structural accounting for why the group remains all-male. It accomplishes this by demonstrating that the importation of a European discourse of avant-garde activity, which assumed masculine social privilege and public activity, effectively excluded women artists from membership. In doing so, it intervenes in formalist art critics’ validation of the technical innovation of the Vancouver School as a universal phenomenon of global importance by revealing the social exclusions that empowered it in the past and continue to invest it with authority. This book will appeal to scholars and students interested in Canadian art history, photography, the history of the avant-garde, and the role visual culture plays in establishing and maintaining control over discursive and physical territories.
This book analyses black Atlantic studies, colonial discourse analysis and postcolonial theory, providing paradigms for understanding imperial literature, Englishness and black transnationalism. Its concerns range from the metropolitan centre of Conrad's Heart of Darkness to fatherhood in Du Bois's The Souls of Black Folk; from the marketing of South African literature to cosmopolitanism in Achebe; and from utopian discourse in Parry to Jameson's theorisation of empire.
This book is about the public language of the 'war on terrorism' and the way in which language has been deployed to justify and normalise a global campaign of counter-terrorism. It explains how the war on terrorism has been reproduced and amplified by key social actors and how it has become the dominant political narrative in America today, enjoying widespread bipartisan and popular support. The book also explains why the language of politics is so important and the main methodological approach for analysing the language of counter-terrorism, namely, critical discourse analysis. Then, it provides the comparison drawn between the September 11, 2001 attacks and World War II and the attack on Pearl Harbor. One of the most noticeable aspects of the language surrounding the attacks of September 11, 2001 is its constant reference to tragedy, grievance and the exceptional suffering of the American people. The book focuses on the way in which language was deployed to construct the main identities of the protagonists. It demonstrates how terrorism is rhetorically constructed as posing a catastrophic threat to the American 'way of life', to freedom, liberty and democracy and even to civilisation itself. The book analyses how the administration's counter-terrorism campaign has been rhetorically constructed as an essentially 'good' and 'just war', similar to America's role in World War II. Finally, the book concludes that responsible citizens have a moral duty to oppose and resist the official language of counter-terrorism.
New Labour came to power in 1997 promising to modernize Britain and make it fit for the twenty-first century. This book studies Tony Blair and Gordon Brown's combined attempt to sell the idea of a European future to the British people. It is about the art of rhetoric, persuasion and the techniques of modern political communication, and the 'Europe question' in British politics. It traces the progressivist elements of New Labour's discourse on British European policy with reference to the place perceptions of history occupied in Blair and Brown's speeches on foreign policy. The book explains the idea of 'norm entrepreneurship' and how it can be adapted to help us think through New Labour's handling of British European policy. It focuses on various aspects of the politics, language and decision-making style of New Labour. Theoretical approaches to Euroscepticism to help us understand, through the empirical data in the speeches, how Blair and Brown constructed their identity as 'Europeans' against their perceived 'sceptical' opponents. The method of discourse analysis used to study the strategies Blair and Brown put in place to realize their goals, is discussed. The book presents the evidence on the ways in which the Prime Minister and Chancellor discursively constructed the Europe question as a matter of protecting and/or advancing vital British national interests. Trapped between a broadly hostile media and an apathetic public, Blair and Brown failed to provide the necessary leadership to see Britain to a European future.
This book is about the language of the European Union’s response to the threat of terrorism: the ‘fight against terrorism’. Since its re-emergence in the wake of the terrorist attacks on September 11, 2001, the ‘fight against terrorism’ has come to represent a priority area of action for the European Union (EU). Drawing on interpretive approaches to International Relations, the author outlines a discourse theory of identity and counter-terrorism policy in order to explore the ways in which the EU’s counter-terrorism discourse has been constructed and the ways in which it functions. Importantly, the author shows how the ‘fight against terrorism’ structures the EU response to terrorism through the prism of identity, drawing our attention to the various ‘others’ that have come to form the target of EU counter-terrorism policy. Through an extensive analysis of the wider societal impact of the EU’s ‘fight against terrorism’ discourse, the author reveals the various ways in which EU counter-terrorism policy is contributing to the ‘securitisation’ of social and political life within Europe.
This book is a story about the importance of stories in International Relations. It brings insights from Literary Studies and Narratology into IR and political science by developing a new discourse analytical method of narrative analysis. Focusing on the three narrative elements of setting, characterization and emplotment, the book argues that narratives are of fundamental importance for human cognition and identity construction. Narratives help us understand the social and political world in which we live. The book emphasizes the idea of intertextual narratability which holds that for narratives to become dominant they have to link themselves to previously existing stories. Empirically the book looks at narratives about pirates, rebels and private military and security companies (PMSCs). The book illustrates in the case of pirates and rebels that the romantic images embedded in cultural narratives influence our understanding of modern piracy in places like Somalia or rebels in Libya. Dominant romantic narratives marginalize other, less flattering, stories about these actors, in which they are constituted as terrorists and made responsible for human rights violations. In contrast, in the case of PMSCs in Iraq the absence of such romantic cultural narratives makes it difficult for such actors to successfully narrate themselves as romantic heroes to the public.