Search results

You are looking at 1 - 10 of 30 items for :

  • "Ian Kennedy" x
  • Refine by access: All content x
Clear All
Author:

The international growth and influence of bioethics has led some to identify it as a decisive shift in the location and exercise of 'biopower'. This book provides an in-depth study of how philosophers, lawyers and other 'outsiders' came to play a major role in discussing and helping to regulate issues that used to be left to doctors and scientists. It discusses how club regulation stemmed not only from the professionalising tactics of doctors and scientists, but was compounded by the 'hands-off' approach of politicians and professionals in fields such as law, philosophy and theology. The book outlines how theologians such as Ian Ramsey argued that 'transdisciplinary groups' were needed to meet the challenges posed by secular and increasingly pluralistic societies. It also examines their links with influential figures in the early history of American bioethics. The book centres on the work of the academic lawyer Ian Kennedy, who was the most high-profile advocate of the approach he explicitly termed 'bioethics'. It shows how Mary Warnock echoed governmental calls for external oversight. Many clinicians and researchers supported her calls for a 'monitoring body' to scrutinise in vitro fertilisation and embryo research. The growth of bioethics in British universities occurred in the 1980s and 1990s with the emergence of dedicated centres for bioethics. The book details how some senior doctors and bioethicists led calls for a politically-funded national bioethics committee during the 1980s. It details how recent debates on assisted dying highlight the authority and influence of British bioethicists.

A national ethics committee and bioethics during the 1990s
Duncan Wilson

6 Consolidating the ‘ethics industry’: a national ethics committee and bioethics during the 1990s During the 1980s many of the individuals who were pivotal to the making of British bioethics sought to establish what the British Medical Journal identified as a ‘national bioethics committee’.1 Ian Kennedy, for one, regularly called for a politically funded committee based on the American President’s Commission, and his proposals were often endorsed by newspapers and other bioethicists. They were also endorsed by senior figures at the BMA, who believed a national

in The making of British bioethics
Abstract only
Lez Cooke

Martin wrote his first scripts for an ITV company with the first of six episodes for Redcap, an ABC Television series about the military police starring John Thaw, on which his brother, Ian Kennedy Martin, was working as the story editor. Troy wrote three episodes for the first series and another three for the second series in 1966. In between he adapted The Successor (Anglia, 13 September 1965), a play about the election of a pope, for Anglia Television, for whom he also wrote The New Men (Anglia, 8 November 1966), an adaptation of a novel by C. P. Snow, about the

in Troy Kennedy Martin
Ian Kennedy, oversight and accountability in the 1980s
Duncan Wilson

3 ‘Who’s for bioethics?’ Ian Kennedy, oversight and accountability in the 1980s Bioethics ceased to be an ‘American trend’ during the 1980s, when growing numbers of British outsiders publicly demanded greater external involvement in the development of guidelines for medicine and biological science. Their arguments were certainly successful. By the beginning of the 1990s, when the Guardian described the growing ‘ethics industry’, supporters of this new approach were influential public figures. One of the earliest and most high profile of these supporters was the

in The making of British bioethics
The emergence of bioethics in British universities
Duncan Wilson

5 ‘A service to the community as a whole’: the emergence of bioethics in British universities Bioethics made inroads into British universities during the 1980s, thanks largely to those individuals, groups and political changes that we have already encountered. During the late 1970s and early 1980s members of medical groups and public figures such as Ian Kennedy called for greater emphasis on medical ethics in student training. They also stressed the benefits of ‘non-medical’ input, claiming that it relieved clinicians from teaching responsibilities and would

in The making of British bioethics
Open Access (free)
Duncan Wilson

central to understanding why bioethics Conclusion 259 emerged as a recognised term and approach in Britain. While calls for external involvement were by no means new, they gained traction in the 1980s because they dovetailed with the Conservative government’s enthusiasm for oversight, transparency and public accountability. Yet bioethics was not simply the top-down result of political pressure, and owes as much to the agency of specific individuals and groups as it does to changing sociopolitical contexts. Figures such as Ian Kennedy and Mary Warnock endorsed

in The making of British bioethics
Abstract only
Lez Cooke

inhabitants. You’ll find them easily enough, just follow the signpost to Weavers Green. Parish, village and railway station. East Anglia. 20 miles from Market Newton, Population: 813. (TV World, 1966: 4) Weavers Green was created by Peter and Betty Lambda, who wrote the first twenty-nine episodes, and produced by John Jacobs. After three months the serial had become too much for the Lambdas to handle and Ian Kennedy Martin was brought in as the story editor and asked to recruit other writers: I was the story editor at Anglia and what happened was Anglia had the audacity to

in Troy Kennedy Martin
Mary Warnock, embryos and moral expertise
Duncan Wilson

’s involvement with IVF highlights the British emergence of what Jasanoff calls ‘official bioethics’, in which philosophers, lawyers and others serve on ­government committees and assist in policymaking.1 Once appointed, Warnock became a vocal supporter of external oversight. In language reminiscent of Conservative politicians and Ian Kennedy, she regularly argued that the public were ‘entitled to know, and even to control’ professional practices.2 Like Kennedy, she also claimed that this would benefit researchers by safeguarding them from declining public and political trust

in The making of British bioethics
Abstract only
An action-fuelled filmic decade?
Ben Lamb

distancing the police series from the naturalistic studio approach, this is not how it was originally conceived. The Sweeney was created by Ian Kennedy Martin. 5 His idea was to explore the impact Robert Mark’s appointment as Commissioner of the Metropolitan Police was having on detectives working in the Flying Squad. The Flying Squad was a mobile unit established in 1919 and then reorganised by Met

in You’re nicked
Open Access (free)
Duncan Wilson

bioethics. I close by detailing why bioethics continued to be seen as ‘an American trend’ throughout the 1970s, showing that while British theologians clarified the moral aspects of certain issues, they offered no challenge to club regulation and believed that the ‘final decisions remain medical ones’.67 Chapter 3 examines why this situation changed in the 1980s, when certain figures successfully promoted external involvement in the development of standards for medicine and the biological sciences. The chapter centres on the work of the academic lawyer Ian Kennedy, who

in The making of British bioethics