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Money, Commerce, Language, and the Horror of Modernity in ‘The Isle of Voices’
Robbie Goh

Money, not merely as subject in literature but also in its very form and function, exhibits qualities of spectral evanescence, fetishised power over the imagination, and the uncontrollable transgression of boundaries and limits, which closely parallel the concerns and anxieties of Gothic literature. Yet it is in the writings of economic theorists and commentators on market society like Adam Smith and Karl Marx that these Gothic anxieties about money are most clearly articulated. Stevensons short story ‘The Isle of Voices’, read in the context of his comments on money in his other writings, is one of the few fictional texts which uses these properties of money to create what might be called a ‘financial Gothic’ narrative, which nevertheless has insights and implications for the narratives of capitalist modernity in general.

Gothic Studies
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11 2008 10 10 2 2 18 18 34 34 GS.10.2.3.xml Haunting the Law Aspects of Gothic in Dickens‘s Fiction Ballinger Gill 11 2008 10 10 2 2 35 35 50 50 GS.10.2.4.xml Stevensons Financial Gothic Money, Commerce, Language, and the Horror of Modernity in ‘The Isle of Voices’ Goh Robbie 11 2008 10 10 2 2 51 51 66 66 GS.10.2.5.xml Power