This book is a shadow cultural history of transplantation as mediated through medical writing, science fiction, life writing and visual arts in a Gothic mode, from the nineteenth century to the present. Works in these genres explore the experience of donors or suppliers, recipients and practitioners, and simultaneously express transfer-related suffering and are complicit in its erasure. Examining texts from Europe, North America and India, the book resists exoticising predatorial tissue economies and considers fantasies of harvest as both product and symbol of ‘slow violence’ (Rob Nixon), precarity and structural ruination under neoliberal capitalism. Gothic tropes, intertextualities and narrative conventions are used in life writing to express the affective and conceptual challenges of post-transplant being, and used in medical writing to manage the ambiguities of hybrid bodies, as a ‘clinical necropoetics’. In their efforts to articulate bioengineered hybridity, these works are not only anxious but speculative. Works discussed include nineteenth-century Gothic, early twentieth-century fiction and film, 1970s American hospital organ theft horror in literature and film, turn-of-the-millennium fiction and film of organ sale, postmillennial science fiction dystopias, life writing and scientific writing from the nineteenth century to the present. Throughout, Gothic representations engage contemporary debates around the management of chronic illness, the changing economics of healthcare and the biopolitics of organ procurement and transplantation – in sum, the strange times and weird spaces of tissue mobilities. The book will be of interest to academics and students researching Gothic studies, science fiction, critical medical humanities and cultural studies of transplantation.
Drinking to excess has been a striking problem for industrial and post-industrial
societies – who is responsible when a ‘free’ individual opts for a slow suicide?
The causes of such drinking have often been blamed on heredity, moral weakness,
‘disease’ (addiction), hedonism, and Romantic illusion. Yet there is another
reason which may be more fundamental and which has been overlooked or dismissed,
and it is that the drinker may act with sincere philosophical intent. The
Existential Drinker looks at the convergence of a new kind of excessive,
habitual drinking, beginning in the nineteenth century, and a new way of
thinking about the self which in the twentieth century comes to be labelled
‘Existential’. A substantial introduction covers questions of self, will,
consciousness, authenticity, and ethics in relation to drinking, while
introducing aspects of Existential thought pertinent to the discussion. The
Existential-drinker canon is anchored in Jack London’s ‘alcoholic memoir’ John
Barleycorn (1913), where London claims he can get at the truth of existence only
through the insights afforded by excessive and repeated alcohol use. The book
then covers drinker-texts such as Jean Rhys’s interwar novels, Malcolm Lowry’s
Under the Volcano, Charles Jackson’s The Lost Weekend and John O’Brien’s Leaving
Las Vegas, along with less well-known works such as Frederick Exley’s A Fan’s
Notes, Venedikt Yerofeev’s Moscow–Petushki, and A. L. Kennedy’s Paradise. The
book will appeal to anybody with an interest in drinking and literature, as well
as those with more specialised concerns in drinking studies, Existentialism,
twentieth-century literature, and medical humanities.
Historians interact with a variety of audiences. In the history of medicine – our
focus – audiences include government committees and commissions dealing with
ethical issues in biomedicine; journalists asking for historical perspectives on
new discoveries as well as abuses and controversies in medicine; curators and
visitors at museums; sometimes even medical researchers utilizing historical
material. A particularly prominent audience for historians of medicine is in
health care, students as well as practitioners. An important aim of the book is
to challenge the idea that communication between researchers and their audiences
is unidirectional. This is achieved by employing a media theoretical perspective
to discuss how historians create audiences for academic knowledge production
(‘audiencing’). The theme is opportune not least because the measurement of
‘impact’ is rapidly becoming a policy tool. The book’s 10 chapters explore the
history of medicine’s relationships with its audiences, from the early twentieth
century to the present. Throughout the authors discuss how historians of
medicine and others have interacted with and impacted audiences. Topics include
medical education, policy-making, exhibitions and museums, film and
Soaking up the rays forges a new path for exploring Britain’s fickle love of the light by investigating the beginnings of light therapy in the country from c.1890-1940. Despite rapidly becoming a leading treatment for tuberculosis, rickets and other infections and skin diseases, light therapy was a contentious medical practice. Bodily exposure to light, whether for therapeutic or aesthetic ends, persists as a contested subject to this day: recommended to counter psoriasis and other skin conditions as well as Seasonal Affective Disorder (SAD) and depression; closely linked to notions of beauty, happiness and well-being, fuelling tourism to sunny locales abroad and the tanning industry at home; and yet with repeated health warnings that it is a dangerous carcinogen. By analysing archival photographs, illustrated medical texts, advertisements, lamps, and goggles and their visual representation of how light acted upon the body, Woloshyn assesses their complicated contribution to the founding of light therapy. Soaking up the rays will appeal to those intrigued by medicine’s visual culture, especially academics and students of the histories of art and visual culture, material cultures, medicine, science and technology, and popular culture.
Measuring difference, numbering normal provides a detailed study of the technological construction of disability by examining how the audiometer and spirometer were used to create numerical proxies for invisible and inarticulable experiences. Measurements, and their manipulation, have been underestimated as crucial historical forces motivating and guiding the way we think about disability. Using measurement technology as a lens, this book draws together several existing discussions on disability, healthcare, medical practice, embodiment and emerging medical and scientific technologies at the turn of the twentieth century. As such, this work connects several important and usually separate academic subject areas and historical specialisms. The standards embedded in instrumentation created strict but ultimately arbitrary thresholds of normalcy and abnormalcy. Considering these standards from a long historical perspective reveals how these dividing lines shifted when pushed. The central thesis of this book is that health measurements are given artificial authority if they are particularly amenable to calculability and easy measurement. These measurement processes were perpetuated and perfected in the interwar years in Britain as the previously invisible limits of the body were made visible and measurable. Determination to consider body processes as quantifiable was driven by the need to compensate for disability occasioned by warfare or industry. This focus thus draws attention to the biopower associated with systems, which has emerged as a central area of concern for modern healthcare in the second decade of the twenty-first century.
This is the first extensive study of literary swooning, homing in on the swoon’s long, rich and suggestive history as well as its potential for opening up new ways of thinking about the contemporary. From the lives of medieval saints to recent romance fiction, the swoon has had a pivotal place in English literature. This study shows that swoons have been intimately connected to explorations of emotionality, ecstasy and transformation; to depictions of sickness and of dying; and to performances of gender and gendering. A literary history of swooning is therefore also a history of crux points for how we imagine the body, and for evolving ideas of physiology, gender, and sexuality. Tracking the history of the figure of the swoon from the thirteenth to the twenty-first century, this study suggests that the swoon has long been used as a way to figure literary creation and aesthetic sensitivity: from the swoons of early mystics to contemporary literary-theoretical depictions of destabilised subjects, literary faints have offered a model of overwhelming, aesthetic, affective response. In the work of Chaucer and Shakespeare, swoons are seen as moments of generic possibility, through which the direction of a text might be transformed. In romantic, gothic and modernist fiction, this study focuses on morbid, feminised swoons used by writers who reject masculinist, heteronormative codes of health. In contemporary romance fiction, irony, cliché and bathos shadow the transformative possibilities of the swoon. This book offers an exciting new way to examine the history of the body alongside the history of literary response.
what does good medical citizenship entail in the Netherlands in the
early twenty-first century?
Context matters: the way in which the medical curriculum is
organized at any given time mirrors societal needs and demands. Three
developments created a situation in which the eight-week course, ‘MedicalHumanities’, in Utrecht could be established: one European, one national
and one local. In 1999, the Ministers of Education of 29 European countries
Bodies dis(re)membered: Gothic and the transplant imaginary
biopolitical asymmetries. Hierarchies of life-value can also be discerned in postindustrial nations’ healthcare inequalities and variable access to transplantation. Phillip Barrish argues that medicalhumanities should do more to consider the economics of medical care: ‘who gets quality medical care, and who doesn’t? … How and by whom is it paid for? … [W]e who study intersections of literature and medicine should devote more sustained attention to literary engagements with health care as a system: a complex, often fragmented set of financial models, institutions, government
Suicide and the Gothic is the first protracted study of how the act of
self-destruction recurs and functions within one of the most enduring and
popular forms of fiction. Comprising eleven original essays and an authoritative
introduction, this collection explores how the act of suicide has been
portrayed, interrogated and pathologised from the eighteenth century to the
present. The featured fictions include both the enduringly canonical and the
less studied, and the geographical compass of the work embraces not merely
British, European and American authors but also the highly pertinent issue of
self-destruction in modern Japanese culture. Featuring detailed interventions
into the understanding of texts as temporally distant as Thomas
Percy’s Reliques and Patricia Highsmith’s crime fictions, and movements as
diverse as Wertherism, Romanticism and fin-de-siècle decadence, Suicide and the
Gothic provides a comprehensive and compelling overview of this recurrent crisis
– a crisis that has personal, familial, religious, legal and medical
implications – in fiction and culture. Suicide and the Gothic will prove a
central – and provocative – resource for those engaged in the study of the genre
from the eighteenth century onwards, but will also support scholars working in
complementary literary fields from Romanticism to crime fiction and theoretical
disciplines from the medical humanities to Queer Studies, as well as the broader
fields of American and European studies. Its contents are as relevant to the
undergraduate reader as they are to the advanced postgraduate and the faculty
member: suicide is a crucial subject in culture as well as criticism.
This collection expands the history of Chinese medicine by bridging the philosophical concerns of epistemology and the history and cultural politics of transregional medical formations. Topics range from the spread of gingko’s popularity from East Asia to the West to the appeal of acupuncture for complementing in-vitro fertilization regimens, from the modernization of Chinese anatomy and forensic science to the evolving perceptions of the clinical efficacy of Chinese medicine. The individual essays cohere around the powerful theoretical-methodological approach, “historical epistemology,” with which scholars in science studies have already challenged the seemingly constant and timeless status of such rudimentary but pivotal dimensions of scientific process as knowledge, reason, argument, objectivity, evidence, fact, and truth. Yet given that landmark studies in historical epistemology rarely navigate outside the intellectual landscape of Western science and medicine, this book broadens our understanding of its application and significance by drawing on and exploring the rich cultures of Chinese medicine. In studying the globalizing role of medical objects, the contested premise of medical authority and legitimacy, and the syncretic transformations of metaphysical and ontological knowledge, contributors illuminate how the breadth of the historical study of Chinese medicine and its practices of knowledge-making in the modern period must be at once philosophical and transnational in scope. This book will appeal to students and scholars working in science studies and medical humanities as well as readers who are interested in the broader problems of translation, material culture, and the global circulation of knowledge.