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Eric Richards

6 The North American theatre The pioneers North America was the earliest and the greatest theatre of oceanic emigration in which the methods of mass migration were pioneered. The activation of the transatlantic human transfusions was a vast project and many of its origins remain a mystery. But it began as a largely English venture. Mostly, the story of the peopling of America is told as variants on the theme of the dispeopling of old Europe: it is told conventionally as the ‘uprooting’ or the ‘transplanting’ of Europe’s poor and wretched. This fits in well with

in The genesis of international mass migration
Janice Norwood

4 Touring North America During the second half of the nineteenth century increasing numbers of British performers succumbed to the lure of performing abroad, particularly in the US. This was a marked change from the previous century when, as Travis Bogard explains, ‘No actor would cross the Atlantic and endure the uncertainties and hardships, the censorship, the meagre financial rewards of the eighteenth-century American theatre, if he could have survived in London, or, it must be assumed, anywhere in England’ (Bogard, 1977: 4). More recent scholarship (Anthony

in Victorian touring actresses
Jeremy Gregory

The presence of the Church of England in North America offers an interesting case study of the later Stuart church, where some of the issues and problems encountered by the church in Old England were transplanted to British North America, but also where the radically different religious, political, and socio-cultural contexts across the Atlantic threw up new challenges for the church. This chapter will focus

in The later Stuart Church, 1660–1714
David Doyle

12 Irish diaspora Catholicism in North America* David Doyle I In their global faiths as in their insular polities, the experiences of the Irish at home entailed a series of unstable ‘identities’ to ease relations with others. This was so despite their obligation of due deference to political authority, regardless of those exercising it. The search for status and prestige imposed choreography of positioning in social life which weakened any consistent outward witness to Catholic values. Impoverished political identities exacerbated this, regardless of their

in Irish Catholic identities
Tanja Bueltmann
and
Donald M. MacRaild

1 Origins and development The origins and development of the English diaspora in North America The roots of the English diaspora lie in the sixteenth-century quest for an empire, which began processes of territorial settlement, first in the home islands, and then beyond the oceans. Mass plantations in 1580s Munster, for instance, signalled a new and more sustained phase of pacifying Ireland by English population settlement.1 In 1609 this approach was further intensified via systematic, planned, popular migrations as the English joined the Scots of the pre

in The English diaspora in North America
Migration, ethnicity and association, 1730s–1950s

From the early eighteenth century, a vibrant English associational culture emerged that was, by many measures, ethnic in character. English ethnic organisations spread across North America from east to west, and from north to south, later becoming a truly global phenomenon when reaching Australasia in the later nineteenth century. This books charts the nature, extent and character of these developments. It explores the main activities of English ethnic societies, including their charitable work; collective mutual aid; their national celebration; their expressions of imperial and monarchical devotion; and the extent to which they evinced transnational communication with the homeland and with English immigrants in other territories. The English demonstrated and English people abroad demonstrated and experienced competitive and sometimes conflictual ethnic character, and so the discussion also uncovers aspects of enmity towards an Irish immigrant community, especially in the US, whose increasingly political sense of community brought them into bitter dispute with English immigrants whom they soon outnumbered. Towards the end of the nineteenth century, the extent of English ethnic associational culture in North America was such that it resonated within England herself, resulting in the formation of a central organization designed to coordinate the promotion of English culture. This was the Royal Society of St George. Ultimately, the book documents that the English expressed their identity through processes of associating, mutualism and self-expression that were, by any measure, both ethnic and diasporic in character. The English Diaspora is based on a very large amount of untapped primary materials from archives in the United States, Canada, and the UK relating to specific locations such as New York, Philadelphia, Baltimore, Toronto, Ottawa, and Kingston, and London. Thousands of newspaper articles have been trawled. Several long runs of English associational periodicals have been garnered and utilized. Comparative and transnational perspectives beyond the US and Canada are enabled by the discovery of manuscript materials and periodicals relating to the Royal Society of St George.

Criminal minds, CSI: NY and Law and order
Ruth Hawthorn
and
John Miller

apparently mainstream commercial present. Tattoos function as symptoms of a psychological and social deviance commodified in the construction of crime as entertainment, but also as signs of a self-confident and empowered youth culture closely linked to tattooing’s subcultural origins. The ostensibly divergent roles of tattooing as atavistic outsider art and emergent fashion become difficult to disentangle. This chapter offers three case studies of the depiction of tattoos in North American TV crime drama in order to interrogate these multiple

in Tattoos in crime and detective narratives
The Visual Politics and Narratives of Red Cross Museums in Europe and the United States, 1920s to 2010s
Sönke Kunkel

Interpreting Red Cross museums as a visual medium, this essay explores the visual politics of Red Cross museums through the twentieth century. The essay puts particular emphasis on the entanglements between the visual politics and humanitarian narratives of Red Cross museums and identifies three major narratives that museums promoted through the times: a heroic narrative, a narrative of civility, and a volunteer’s narrative. Last, the essay argues that Red Cross museums may offer a fruitful field to encourage more engagement between (public) historians and humanitarian practitioners.

Journal of Humanitarian Affairs
An Interview with Rainer Schlösser, Spokesperson of the Association of the Red Cross Museums in Germany (Arbeitsgemeinschaft der deutschen Rotkreuz-Museen)
Sönke Kunkel

An accomplished academic, collector, and long-time Red Cross volunteer, Professor Dr Rainer Schlösser is head of the Red Cross Museum of the Red Cross Chapter Fläming-Spreewald in Luckenwalde. He has directed the museum since 2000. Since 2006, he has also served as official spokesperson of the Association of the Red Cross Museums in Germany, a group connecting thirteen Red Cross museums across Germany. I met Rainer Schlösser in his office at the Red Cross Museum in Luckenwalde. After an extended and insightful tour through the museum we sat down to discuss his ideas and his work at the museum.

Journal of Humanitarian Affairs
Civic reading practice in contemporary American and Canadian writing
Author:

Can reading make us better citizens? This book sheds light on how the act of reading can be mobilised as a powerful civic tool in service of contemporary civil and political struggles for minority recognition, rights, and representation in North America. Crossing borders and queering citizenship reimagines the contours of contemporary citizenship by connecting queer and citizenship theories to the idea of an engaged reading subject. This book offers a new approach to studying the act of reading, theorises reading as an integral element of the basic unit of the state: the citizen. By theorising the act of reading across borders as a civic act that queers citizenship, the book advances an alternative model of belonging through civic readerly engagement. Exploring work by seven US, Mexican, Canadian, and Indigenous authors, including Gloria Anzaldúa, Dorothy Allison, Gregory Scofield, Guillermo Gómez-Peña, Erín Moure, Junot Díaz, and Yann Martel, the book offers sensitive interpretations of how reading can create citizenship practices that foreground and value recognition, rights, and representation for all members of a political system.