literature, in the integration of new feasts into the liturgical
round and in the multiplication of pilgrimage crosses scattered
across the country, complementing the physical relics of Christ,
such as the holy blood at Hailes. 1
Alongside Christ, the saints
also attracted considerable devotion. The Virgin Mary was
supreme among the saints, devotion to her being
The pilgrimage road in late medieval
Shayne Aaron Legassie
Strictly speaking, there is no such thing as a pilgrimage road.
Economic historians concede that the practice of pilgrimage
exerted tangible effects on the development of cathedrals, monasteries and towns, but they quickly add that there is no conclusive evidence that pilgrimage was the primary impetus behind the
construction or maintenance of any medieval English roads.1 As
is the case with most of the important pilgrimage destinations of
medieval Christian Europe, English shrines
This article discusses how Armenians have collected, displayed and exchanged the
bones of their murdered ancestors in formal and informal ceremonies of
remembrance in Dayr al-Zur, Syria – the final destination for hundreds of
thousands of Armenians during the deportations of 1915. These pilgrimages –
replete with overlapping secular and nationalist motifs – are a modern variant
of historical pilgrimage practices; yet these bones are more than relics. Bone
rituals, displays and vernacular memorials are enacted in spaces of memory that
lie outside of official state memorials, making unmarked sites of atrocity more
legible. Vernacular memorial practices are of particular interest as we consider
new archives for the history of the Armenian Genocide. The rehabilitation of
this historical site into public consciousness is particularly urgent, since the
Armenian Genocide Memorial Museum and Martyr’s Church at the centre of the
pilgrimage site were both destroyed by ISIS (Islamic State in Syria) in
The Visual Politics and Narratives of Red Cross Museums in Europe and the
United States, 1920s to 2010s
International Committee of the Red Cross (ICRC), too, sensed a
need for renewal. Joining forces in a new management committee, in 1970 the group
commissioned a relaunch to remake the museum into ‘a source to which a
pilgrimage is well worthwhile’ ( International Review , 1970 ).
The committee’s approach put visuals and multisensory presentations back at
the center. A temporary exhibit on ‘Natural Disasters and the Red
Cross’, opened in 1972, featured a large sample of ‘photographs
In recent decades, spatiality—the consideration of what it means to be situated in space and place—has become a key concept in understanding human behavior and cultural production across the disciplines. Texts produced by and about the medieval Irish contain perhaps the highest concentration of spatial writing in the wider medieval European milieu, and only in Ireland was a distinct genre of placelore formalized. As Mulligan shows, Ireland provides an extensively documented example of a culture that took a pre-modern ‘spatial turn’ and developed influential textual models through which audiences, religious and secular, in Ireland and Europe, could engage with landscapes near and far. Ireland’s peripheral geographic position, widespread monastic practices of self-imposed exile and nomadism, and early experiences of English colonialism required strategies for maintaining a place-based identity while undergoing dispossession from ancestral lands. These cultural developments, combined with the early establishment of Latin and vernacular literary institutions, primed the Irish to create and implement this poetics of place. A landscape of words traces the trajectory of Irish place-writing through close study of the ‘greatest hits’ of (and about) medieval Ireland—Adomnán’s De locis sanctis, Navigatio Sancti Brendani, vernacular voyage tales, Táin Bó Cualnge, Acallam na Senórach, the Topographia and Expugnatio Hibernica of Gerald of Wales, and Anglo-Latin accounts of Saint Patrick’s Purgatory. A landscape of words provides rigorous source analysis in support of new ways of understanding medieval Irish literature, landscape and place-writing that will be essential reading for scholars on medieval Ireland and Britain. Mulligan also writes for non-specialist students and researchers working on the European Middle Ages, travel and pilgrimage, spatial literature, and Irish and British history and culture, and allows a wide readership to appreciate the extensive impact of medieval Irish spatial discourse.
This book charts the vast cultural impact of Charlotte Bronte since the appearance of her first published work, Poems by Currer, Ellis and Acton Bell. It highlights the richness and diversity of the author's legacy, her afterlife and the continuation of her plots and characters in new forms. The most well known and well regarded of the three sisters during the Victorian period, Charlotte Bronte bequeathed a legacy which is more extensive and more complex than the legacies of Emily Bronte and Anne Bronte. The book shows how Bronte's cultural afterlife has also been marked by a broad geographical range in her consideration of Bronte-related literary tourism in Brussels. It is framed by the accounts of two writers, Elizabeth Gaskell and Virginia Woolf, both of whom travelled to Yorkshire to find evidence of Charlotte Bronte's life and to assess her legacy as an author. The book focuses upon Bronte's topical fascination with labour migration for single, middle-class women in the light of the friendship and correspondence with Mary Taylor. Recent works of fiction have connected the Brontes with the supernatural. The book explores Bronte biodrama as a critically reflexive art: a notable example of popular culture in dialogue with scholarship, heritage and tourism. The Professor and Jane Eyre house the ghost of an original verse composition, whose inclusion allows both novels to participate together in a conversation about the novel's capacity to embody and sustain a lyric afterlife. A survey of the critical fortunes of Villette is also included.
This book is a study of the English Reformation as a poetic and political event. It examines the political, religious and poetic writings of the period 1520-1580, in relation to the effects of confessionalization on Tudor writing. The central argument of the book is that it is a mistake to understand this literature simply on the basis of the conflict between Protestantism and Catholicism. Instead one needs to see Tudor culture as fractured between emerging confessional identities, Protestant and Catholic, and marked by a conflict between those who embraced the process of confessionalization and those who rejected it. Sir Richard Morrison's A Remedy for Sedition was part of the Henrician government's propaganda response to the Pilgrimage of Grace. Edwardian politicians and intellectuals theorized and lauded the idea of counsel in both practice and theory. The book discusses three themes reflected in Gardiner's 1554 sermon: the self, the social effects of Reformation, and the Marian approaches to the interpretation of texts. The Marian Reformation produced its own cultural poetics - which continued to have an influence on Tudor literature long after 1558. The decade following the successful suppression of the Northern Rebellion in 1570 was a difficult one for the Elizabethan regime and its supporters. An overview of Elizabethan poetics and politics explains the extent to which the culture of the period was a product of the political and poetic debates of the early years of the Queen's reign.
A town for the cult of the Duce: Predappio
as a site of pilgrimage
First among the European dictators, Mussolini transformed his place of birth,
the village of Predappio, into a site for the celebration of his own political
cult. At the heart of the so-called ‘Red Romagna’, on the hilly road in the
Rabbi valley leading to Tuscany from the town of Forlì, Predappio was built
to accommodate a traditional Catholic religious ritual: pilgrimage. Before
1925, the year of the town’s foundation, Predappio was not where it is today.
In its place, at the