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Sweeney Todd and the bloods
Rob Breton

present us with socially conservative fables, thus acting as an agency of social control by the dominant culture, or do penny dreadfuls represent ‘a symbolic form of class conflict’, subverting authority and challenging middle-class norms? 4 To go further, one might ask: what would be the significance of engaging in a culture war under the clouds of a political war? Does Sweeney Todd , the most famous of the bloods, and often treated as representative of the genre, really do anything more than create the frisson of urban terror? If so, were strains of radicalism co

in The penny politics of Victorian popular fiction
Politics, identity and ideology in England, 1867–1924
Author:

The renewal of radicalism maps the trajectory of Labour politics from its origins in a ‘class-conscious’ radical tradition through to its emergence as a major electoral force in the 1920s. During the 1880s and 1890s, working-class radicals in the East Midlands, East Anglia and the South West embraced the collectivist spirit of the times and built local labour parties that eventually became local branches of the national Labour Party. But even as they established new organisations, ‘labour’ activists – as they came to be known – remained committed to the cultural assumptions, discursive practices and ideological beliefs of their political predecessors. Focusing on largely neglected areas in provincial England, this book offers a new narrative of continuity that challenges conventional understandings of English political history. By applying the conceptual analysis of ideologies to the world of local politics, it identifies, for the first time, the conceptual building blocks of radical and labourist ideologies, suggesting that both deserve to be treated separately from liberalism and socialism. It also offers fresh perspectives on the Labour Party’s contribution to the ‘nationalisation’ of political culture; the survival of restrictive assumptions about gender, place, work, nationality and race in the face of political and economic change; and the process through which political identities and ideologies were forged at a local level.

Matthew Kidd

way radicals and liberals talked about the social and political order and the way they articulated certain terms, phrases and concepts. With these differences in mind, our traveller may well have concluded, quite understandably, that radicalism and liberalism were two distinct political traditions. But until recently, it was Gladstone’s inclusive vision of liberal politics that found favour among historians of mid- to late Victorian England. In both ‘stagist’ and ‘continuity’ accounts of this period, radicals have often been portrayed as compliant partners in a

in The renewal of radicalism
Richard Taylor

1 The nature of English radicalism The central aim of this book is to examine, in historical and political context, the nature and importance of English radicalism in the twentieth century. The analysis is undertaken primarily through the detailed study of ten key individuals, all of whom made significant contributions, in their different ways, to the development of English radicalism across the century. As with most important social and political concepts ‘radicalism’ is hard to define precisely. This is in part because it draws on and overlaps with other

in English radicalism in the twentieth century
Richard Taylor

2 An overview of English radicalism The purpose of this second introductory chapter is twofold: to explore the main themes in the development of the ‘English radical tradition’ – from its earliest manifestations (in the Peasants’ Revolt and later in the Civil War) through to the end of the eighteenth century; and, secondly, to discuss in more detail the main elements of English radicalism in the nineteenth and twentieth centuries. This chapter is intended, therefore, to provide a political and historical framework for the ­discussion of the selected ten radical

in English radicalism in the twentieth century
Fanny Lopez

(energy, real estate, etc.), the actors of autonomy invested in the domestic small scale, laying claim to a fragmented, dispersed coherence, without any prior urban planning intention. Often characterized by political radicalism, a desire for decentralization, protest against the established territorial order, and even an anti-urban positioning, the counterculture seized upon renewable energies but seems to have taken part as much in their dissemination as their marginalization. This is at least what the movement was criticized for: In rejecting the values

in Dreams of disconnection
A distinctive politics?
Author:

English radicalism has been a deep-rooted but minority tradition in the political culture since at least the seventeenth century. The central aim of this book is to examine, in historical and political context, a range of key events and individuals that exemplify English radicalism in the twentieth century. This analysis is preceded by defining precisely what has constituted this tradition; and by the main outline of the development of the tradition from the Civil War to the end of the nineteenth century. Three of the main currents of English radicalism in the twentieth century have been the labour movement, the women’s movement and the peace movement. These are discussed in some detail, as a framework for the detailed consideration of ten key representative figures of the tradition in the twentieth century: Bertrand Russell, Sylvia Pankhurst, Ellen Wilkinson, George Orwell, E.P. Thompson, Michael Foot, Joan Maynard, Stuart Hall, Tony Benn and Nicolas Walter. The question of ‘agency’ – of how to bring about radical change in a predominantly conservative society and culture – has been a fundamental issue for English radicals. It is argued that, in the twentieth century, many of the important achievements in progressive politics have taken place in and through extra-parliamentary movements, as well as through formal political parties and organisations – the Labour Party and other socialist organisations – and on occasion, through libertarian and anarchist politics. The final chapter considers the continuing relevance of this political tradition in the early twenty-first century, and reviews its challenges and prospects.

Marta Werbanowska

Like much of his prose and nonfiction, Baldwin’s poetry follows his actual and figurative movement between Europe and America against the backdrop of his homeland’s constant refusal to work through its racist, imperialist, and heterosexist legacies. The 2014 reissue of his two poetry collections, Jimmy’s Blues (1983) and Gypsy (1989), as Jimmy’s Blues and Other Poems urges us to revisit Baldwin’s poetry as an expression of his ideas and sentiments through a different lens: that of a blues poetics. In Baldwin’s poetry, the blues provide an aesthetic and epistemic framework for his expression of a radical internationalist politics of liberation.

James Baldwin Review
A political philosophy of language?
Carine Lounissi

2  Thomas Paine’s democratic linguistic radicalism: a political philosophy of language? Carine Lounissi Thomas Paine’s thought and writings have often been described as ‘radical’ with regard to various forms of ‘radicalism’. They have been viewed as pertaining in turn or simultaneously to ‘radical Lockeanism’,1 to a form of eighteenth-century ‘new’ British ‘radicalism’,2 to a form of ‘American radicalism’ at the origin of the Declaration of Independence3 and of a ‘community of radical democrats’4 in the United States of the 1790s, to ‘transatlantic radicalism’5

in Radical voices, radical ways
Editors: and

This volume offers a series of new essays on the British left – broadly interpreted – during the First World War. Dealing with grassroots case studies of unionism from Bristol to the North East of England, and of high politics in Westminster, these essays probe what changed, and what remained more or less static, in terms of labour relations. For those interested in class, gender, and parliamentary politics or the interplay of ideas between Britain and places such as America, Ireland and Russia, this work has much to offer. From Charlie Chaplin to Ellen Wilkinson, this work paints a broad canvass of British radicalism during the Great War.