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As the British and French empires expanded, constructing new imperial dimensions through growing commerce and the relationships of industrialisation, the bases of Spanish power were being undermined. Nationalism, revolt, the pursuit of forms of decolonisation (often aided by Spain's rivals) became the prime characteristic of Central and South American politics. This book examines the study of natural history in the Spanish empire in the years 1750-1850, explaining how the Spanish authorities collected specimens for the Real Jardín Botanico and the Real Gabinete de Historia Natural. During this period, Spain made strenuous efforts to survey, inventory and exploit the natural productions of her overseas possessions, orchestrating a series of scientific expeditions and cultivating and displaying American fauna and flora in metropolitan gardens and museums. This book assesses the cultural significance of natural history, emphasising the figurative and utilitarian value with which eighteenth-century Spaniards invested natural objects, from globetrotting elephants to three-legged chickens. Attention is also paid to the ambiguous position of Creole (American-born Spanish) naturalists, who were simultaneously anxious to secure European recognition for their work, to celebrate the natural wealth of their homelands. It considers the role of precision instruments, physical suffering and moral probity in the construction of the naturalist's professional identity. The book assesses how indigenous people, women and Creoles measured up to these demanding criteria. Finally, it discusses how the creation, legitimisation and dissemination of scientific knowledge reflected broader questions of imperial power and national identity.

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Helen Cowie

, a disappointment it avenged by dousing the unfortunate shop with water. 4 Sadly the elephant expired at a relatively young age in December 1777. The animal’s premature demise did not, however, signal the end of its celebrity, for its stuffed torso was promptly installed in the newly founded Real Gabinete de Historia Natural in Madrid ( figure 1 ). The Memorial Literario

in Conquering nature in Spain and its empire, 1750–1850
Abstract only
Helen Cowie

Real Jardín Botánico and the Real Gabinete de Historia Natural bore impressive visual testimony to vast overseas dominions and efficient collecting mechanisms, moving several commentators to equate these botanical and zoological treasures explicitly with Spain’s imperial grandeur. The French ambassador, Jean-François Bourgoing, for instance, visiting the botanical garden in the 1790s, interpreted the

in Conquering nature in Spain and its empire, 1750–1850
Abstract only
Helen Cowie

chemistry and what pedagogic techniques were employed by the authors of popular works of natural history to communicate their subject to a non-expert readership? Focusing particularly on the Real Gabinete de Historia Natural and the literature relating to it, the chapter looks at the media that existed for the diffusion of the natural sciences and at the places where ordinary Spaniards could learn about the natural

in Conquering nature in Spain and its empire, 1750–1850
Gathering nature’s wonders
Helen Cowie

On 30 December 1775, King Charles III of Spain visited the Real Gabinete de Historia Natural in the company of his brother, Prince Luís. The Real Gabinete, the latest addition to Madrid’s intellectual landscape, was not due to open formally until 4 November 1776. 1 The King was granted a privileged preview of the institution, in the establishment of which he had been instrumental

in Conquering nature in Spain and its empire, 1750–1850
Helen Cowie

’s scientific renaissance. These were the Real Jardín Botánico and the Real Gabinete de Historia Natural. Both of these establishments flourished in the 1770s. They operated as key sites for the collection of specimens, the advancement of knowledge and the exhibition of imperial power. The Real Jardín Botánico was first founded in 1755, during the reign of Philip VI. In 1774, as royal interest in the

in Conquering nature in Spain and its empire, 1750–1850
Helen Cowie

, Plate 16 Emblematic of this approach were the zoological illustrations in Juan Bautista Bru’s Colección de Láminas que Representan los Animales y Monstruos del Real Gabinete de Historia Natural de Madrid (1784–86), which featured a selection of animals from the Real Gabinete. Introducing the work, Bru announced explicitly that he had

in Conquering nature in Spain and its empire, 1750–1850