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Raymond Gillespie

2 Books, politics and society in Renaissance Dublin Raymond Gillespie On 27 July 1662 James Butler, scion of one of the most prominent AngloIrish families and the newly created first duke of Ormond, arrived in Dublin to take up his post of lord lieutenant of Ireland. Describing that event in 1952, the architectural historian Maurice Craig used what must be one of the most striking phrases in the historical writing about ­seventeenth-century Ireland: ‘The Renaissance, in a word, had arrived in Ireland.’1 In one sense Craig was right. It was only in the late

in Dublin
Eiléan Ní Chuilleanáin

7 Translation and collaboration in Renaissance Dublin Eiléan Ní Chuilleanáin Translation is an essential activity of a literate age, when that is also an age of multilingual communication. This truth seems especially relevant in Ireland, which like the rest of Europe inherits the polyglot culture of a Christianity inflected by classical learning. In addition, Ireland (like many European countries) is a place where the dominance of a single vernacular has been impossible for almost one thousand years.1 While the Irish middle ages are alive with translation, the

in Dublin
Richard Bellings, James Shirley and Henry Burnell
Marie-Louise Coolahan

5 Renaissance Dublin and the construction of literary authorship: Richard Bellings, James Shirley and Henry Burnell Marie-Louise Coolahan That quintessentially Renaissance literary project – the ­humanist ­dialogue translated – was apparently undertaken in Dublin in the early 1580s by the colonial administrator and writer Lodowick Bryskett. Not published until 1606, Bryskett’s A discourse of civill life (adapted from the Italian Giambattista Giraldi Cinthio’s Tre dialoghi della vita civile of 1565) was careful to represent its author at the centre of another

in Dublin
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Renaissance city of literature

From its Nobel laureates to its literary festivals, modern-day Dublin lives up to its role as a literary capital. The question of whether Ireland experienced a cultural and literary Renaissance has received increasing scholarly attention in recent years. This book extends the discussion by engaging with the specific literary culture of its capital city. It begins with an argument for the internationalised literary culture of late medieval Dublin by an analysis of James Yonge's 'Memoriale'. The citizens of Dublin engaged with and actively read texts imported from London, as Dublin's own printing was limited. The book presents case studies that establish Dublin as an emerging city of Renaissance literature by focusing on Edmund Spenser's political and social connections and by examining the literature of complaint emanating from late Elizabethan Dublin. It analyses the constructed authorial personae of Richard Bellings, James Shirley and Henry Burnell residing in Dublin, and discusses the concepts of literary friendship. Sir James Ware's scholarly achievements are analysed and his extensive intellectual community are investigated, revealing an open-minded Dublin community. In addition to being a representative Renaissance activity, translation was harnessed in the country as an 'instrument of state', as shown by translations of Gaelic poetry. The Renaissance literary production in Dublin had a multi-linguistic character with Latin orations taking place in the Trinity College Dublin. The book also addresses the question of whether the English-language drama composed and staged in Restoration Dublin is most accurately described as Anglo-Irish drama or 'English drama written in Ireland'.

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Kathleen Miller

this volume. 36 See Empey’s chapter in this volume. GRIBBEN 9781526113245 PRINT.indd 9 20/04/2017 15:33 10 Kathleen Miller through print and manuscript networks. It was this willingness to engage with imported texts, even those composed in other vernaculars, which established the international complexion of print culture in ‘RenaissanceDublin. Dublin’s literary culture was not emerging in isolation. Dublin’s cultural landscape, in fact, bore many connections to that of nearby London. Hadfield outlines similarities in the concerns of the cities’ merchant

in Dublin
Alexander S. Wilkinson

be just as conscious of the broader patterns of consumption which could involve reading large quantities of material published elsewhere, sometimes in a different language. Book production can only reveal so much about the book market. This is not to suggest, of course, that in terms of vernacular reading trends, those countries with very low book production levels remained the passive cultural sponges of neighbouring nations. Even if, as is suspected, the largest proportion of vernacular literature consumed in Renaissance Dublin or Edinburgh was published in

in Dublin
The scholarly achievements of Sir James Ware
Mark Empey

Irish affairs on behalf of the earl of Ormond, became a prisoner of parliamentary forces in the Tower of London, and lived in exile in Caen, Paris and then in London.40 Renaissance Dublin How Ware came to play such a central role in the intellectual milieu of early modern Dublin can be partially explained by his extensive library collection. His accumulation of manuscript sources is significant because it reveals the scale of his intellectual interests. In 1648 he published Librorum manuscriptorum in bibliotheca Jacobi Waræi equities aur. catalogus – apparently the

in Dublin
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Writing for the stage in Restoration Dublin
Stephen Austin Kelly

in Ireland was that of an agent of the state in good standing. In January 1667, he was called to the Irish bar, membership of which was probably necessary for him to hold 58 Kathleen Menzie Lesko, ‘Wilson, John’, ODNB, s.v. 59 Lesko, ‘Wilson, John’, ODNB, s.v. 60 Dougal Shaw, ‘Restoration through ritual in Ireland: the celebration of 1661’, in Thomas Herron and Michael Potterton (eds), Ireland in the Renaissance (Dublin, 2007), pp. 325–36, at p. 330. 61 Lesko, ‘Wilson, John’, ODNB, s.v. GRIBBEN 9781526113245 PRINT.indd 224 20/04/2017 15:33 Writing for the

in Dublin
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Gaelic poetry and English books
Mícheál MacCraith

of a fruitful symbiosis that might have been, but one that, unfortunately, was far too seldom achieved in and beyond Renaissance Dublin.40 38 DIB, s.v. ‘Haicéad (Hackett), Pádraigín (1610s?–1654)’. 39 Gillespie, Reading Ireland, p. 67. 40 Kane, ‘Languages of legitimacy?’, argues that the Irish language did not operate solely on the social margins in the early Stuart Pale, but that it played an important political and social role in Jacobean Ireland. GRIBBEN 9781526113245 PRINT.indd 184 20/04/2017 15:33

in Dublin
Stuart Kinsella

Quarterly ,60:1 (Spring 2007), pp. 25–57; B.R. Siegfried, ‘Wrestling with the Angel: The Typology of Israel in John Derricke’s The Image of Ireland ’, in Thomas Herron and Michael Potterton (ed.), Dublin and the Pale in the Renaissance (Dublin: Four Courts Press, 2011), pp. 319–51; Thomas Cartelli, ‘Beyond the Pale: Difference and Disorder in Sir Henry Sidney’s Memoir of Service in Ireland and John Derricke’s The Image of Ireland (1581)’, in The Shakespearean International Yearbook: 11, Special Issue, Placing

in John Derricke’s The Image of Irelande: with a Discoverie of Woodkarne