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This book sets the scene for the reinterpretations and explorations of the ways William Shakespeare and his contemporaries worked mythological material on their looms. In Ovid, each text leaves a trace in the others, introducing an enriching leaven that expands the text. Reading Holinshed's efforts to place Samothes or Brutus on England's family tree, one feels sorry for those chroniclers who had to reconcile a variety of founding tales and defend mutable causes. Founding myths need a renowned ancestor; warlike feats; identification with a territory, continuity, purity of blood; and someone to tell the story: fame must be recorded by pen if it is to survive marble monuments. The book discusses the Trojan matter of King John, which powerfully structures and textures the scenes of the siege of Angiers and, more specifically, the tragic fates of Constance and Arthur. It also considers some metamorphoses of Shakespeare and Ovid. The book reiterates imaginative association, influence, historically diachronic descent study, as evidenced in that kind of critical work that finds in a keyword an attractive pretext for projecting an author's particular interest or, a critic's. Yves Peyré's work opens perspectives on post-Shakespeare reworkings and Shakespearian myths that were also explored during the ESRA conference and inspired a separate collection of essays, Mythologising Shakespeare: A European Perspective.

Shakespeare’s Counter-Spenserian Authorship
Patrick Cheney

the inward authority of the author over and against the Elizabethan monarchy, Shakespeare presents Autolycus as a witty trickster, both poet and playwright, wryly performing an art caught up in larger social and political events. 38 ‘A wave o’ th’ sea’: Perdita and Pastorella In the second representation, Shakespeare reworks Spenser’s Pastorella story to recapitulate a

in Shakespeare and Spenser