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This book is a collection of essays on the author's journeys taken during the past fifteen years. They are journeys in time and of memory about a country that no longer exists: the Italy of Roberto Rossellini's
’s commemorative and antiquarian vein, to the central importance of mise en scène (in the theatrical sense) in his films, while the sixth is an attempt to recover an archetypical image in Pasolini’s work (the union/contrast between heaven and earth) as revealed in innumerable drafts and rewritings. I have embraced the idea of such reworking and of masquerade, also analysed in the seventh essay (dedicated to Pasolini’s Trilogia di vita