passed before Judith
Williamson challenged Muggeridge by claiming that this celebrity
melodrama could actually serve the Crown and the ideology of
national unity that it represents. Writing just after the protracted
strike that failed to halt the closure of Britain’s coal mines in 1984,
Williamson observed that the pitmen’s wives sought the Queen’s support
for their cause in the belief that she cared
Despite the currency of the term, when applied to film stardom or celebrity ‘transmedia’ is not a new concept. Sarka Gmiterkova traces the origin of transmedia celebrity and stardom to the 1930s when a ‘carefully orchestrated’ star system first appeared: ‘Central to such scheme was a narrative dispersed across movies, promotion campaigns, and publicity, and which also influenced a portfolio of carefully selected products endorsed by the star’ (116). As Richard Dyer points out, all stars are essentially transmedia: ‘Star images are always extensive, multimedia
Young citizens and celebrity politicians
If the last chapter was about how young people use popular culture to
think about the ‘real world’ and the way it works, then this chapter is
about those who are (or might be) charged with running it. The topic
is the politician, and how young people – in their talk about popular
culture – reflect upon what is required of a politician and who is
equipped to deliver on this responsibility. In particular: do celebrities
make good representative politicians?
The idea of the celebrity politician, at least in the sense we
This book is a detailed study of the transnational and transmedia stardom/celebrity of Charlotte Gainsbourg. Gainsbourg is one of the most interesting and important actresses working in cinema today, both in her native France and abroad. Her film career, spanning five decades, has seen her work with many significant French and international directors, as well as forging a remarkable collaboration with international auteur Lars von Trier. Her status as musician, style icon, muse to fashion designer Nicolas Ghesquière and the daughter of Jane Birkin and Serge Gainsbourg has cemented her celebrity both in France and internationally. Gainsbourg’s transnational and transmedia stardom, predicated in part on her bilingualism and bicultural background, makes her a fascinating case study in contemporary stardom and celebrity in a global context. The book has two main aims: to provide a comprehensive account of Gainsbourg’s career, to chart its trajectory and pathways, to describe her star persona and to introduce readers to a range of her films as well as extra-filmic material on the actress, singer and style icon; and to position Gainsbourg in contemporary film history. It combines textual analysis of performance, costume, space, characterisation and narrative with archival research and extra-cinematic materials to interrogate the construction of Gainsbourg’s persona.
The relationship between politics and popular culture is often seen to take one of two forms. Either popular culture is seen to disengage or passify citizens; or it is portrayed as a source of political knowledge and expression. Such claims are rarely subjected to detailed scrutiny. From Entertainment to Citizenship is an attempt to make up this deficit by examining carefully how popular culture’s politics is understood and used. Focusing on the lives and experiences of 17-18 year olds in the UK, it explores the extent to which these young people use popular culture to think about and engage with politics. The book compares the political role of different forms of popular culture (video games, music and entertainment television), and it considers different dimensions of the relationship. It looks at the phenomenon of the ‘celebrity politician’, at popular culture as a source of knowledge about the ‘real world’ and at the group identities forged around the pleasures of music, TV and video games. We conclude that popular culture is an important source of knowledge about the world, that it helps forge identities and the interests associated with them, and it gives form to the evaluations of power and its exercise. Rarely, though, does this interplay of politics and popular culture happen in neat or straightforward ways.
This book offers an investigative analysis into the post-millennium rise to
global stardom of British actor, Jason Statham. It presents original ideas
focusing on new notions about film and cult actor stardom and celebrity. Using
in-depth analysis of Statham’s work across a range of multimedia platforms,
including chapters dedicated to his film, pop promo, videogaming and tabloid
persona, each essay will present this British actor as a postmodern phenomenon
in a quickly changing media world. Chapters include: new ideas about the
reframing of post-millennial British film masculinity; Statham as an anti-hero;
his videogaming work; investigations into his art films; the music of Crank;
Statham’s clothes in his modelling, pop promo and film work; work across a
variety of genres; his ensemble approach in The Expendables, and how he ages in
that franchise; and a personal essay from Statham’s director of Spy – Paul
Feig. The book is written in a fluid and approachable style but would be of
particular benefit to students of film, stardom, celebrity, gender and social
studies. Its approach will also appeal to the general member of the public and
fan of Jason Statham. Contributors include Professor Robert Shail (Stanley
Baker and Children’s Film Foundation) Professor James Chapman (James Bond), Dr
Steven Gerrard (Modern British Horror and the Carry On films) and Hollywood film
director Paul Feig.
‘The Gothic Aesthetics of Eminem’ examines key videos, lyrics, and performances of the white hip-hop celebrity, noting the reoccurrence of such Gothic tropes and narrational strategies as self-replication, the spectacle of monstrous proliferation, the spread of fakery and the counterfeit, as well as the abjection of women. The authors compare Stoker‘s Dracula to Eminem, whose cultural menace similarly functions to proselytise white young men into clones, refracting the racial and sexual anxieties of Stoker‘s novel. The article moves from a consideration of the rapper‘s songs and videos ‘My Name Is’, ‘The Real Slim Shady,’ and ‘Stan’ to the film, 8 Mile.
The transition to democracy that followed the death of Spanish dictator Francisco Franco in 1975 was once hailed as a model of political transformation. But since the 2008 financial crisis it has come under intense scrutiny. Today, a growing divide exists between advocates of the Transition and those who see it as the source of Spain’s current socio-political bankruptcy. This book revisits the crucial period from 1962 to 1992, exposing the networks of art, media and power that drove the Transition and continue to underpin Spanish politics in the present. Drawing on rare archival materials and over 300 interviews with politicians, artists, journalists and ordinary Spaniards, including former Prime Minister Felipe Gonzalez (1982–96), Following Franco unlocks the complex and often contradictory narratives surrounding the foundation of contemporary Spain.
In the late 1920s, the Harry Pace trial was a cause célèbre of a type that was still relatively new, one of a series of dramatic homicide trials that punctuated the inter-war decades. This book presents the details of the Pace case. It also considers what one woman's story reveals about the history of the police, the development of celebrity culture and the interests of the public in inter-war Britain. It first sets the scene by tracing the puzzling illness that afflicted Harry Pace from the summer of 1927 to his agonising death in January 1928. The book then reconstructs a crucial topic of the press's coverage - the courtship of Beatrice and Harry - based upon three different (and sometimes contradictory) post-trial memoirs. It focuses on the police investigation and the lengthy coroner's inquest, the most extensive of the legal tribunals Beatrice would face. During the 'golden age' of the press 'human interest' stories were driving increasing newspaper sales, and crime was central to this world of press sensationalism. The book examines Beatrice's trial in Gloucester: involving some of the most prominent lawyers and forensic experts of the age, its abrupt ending added a surprising, dramatic twist. It further deals with the roles of the press, police and public, respectively. The Pace issue was more than a personal story, however, and the book explores how it became a vehicle for legal, political, institutional and social criticism.
Recipe books or collections, one of the most common forms of manuscript
compilation to survive, in print and manuscript have only recently received
mainstream attention from academic scholars. This book is collection of essays
that rehabilitate the early modern recipe text as more than simply a document of
domestic life and a functional text of instruction by revealing and debating
some of its varied cultural contexts and meanings. The issue of
'authorship' is another point studied in the book. Both print and
manuscript recipe texts are invaluable in extending the knowledge of how women
were educated. The book addresses ways in which written sources, specifically
recipe books, and, within them, culinary recipes and associated writings can be
used by archaeologists. It explores genre conventions in English recipes,
showing that seventeenth- and eighteenth-century English recipes exhibit some
variation that foreshadows the shape of modern recipes. The period 1550-1700
witnessed a burgeoning literature dealing with domestic duties and the
philosophy and practice of housewifery. The Foote sisters' copy of The
Compleat Housewife opens up at least three routes of inquiry into the
religious lives of the Foote women. Hannah Woolley's The Ladies
Directory and The Queen-Like Closet show a fluid nature of supposedly
stable printed texts, as well as raising questions about the image of the author
as a feature of the newly emerging culture of 'celebrity'. The book
also explores a selection of medicinal advice and recipes gathered initially by
the Boscawen family of Cornwall in the seventeenth century.