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Lucy Hutchinson and the classicisation of scripture
Edward Paleit

Chapter 1 Women’s poetry and classical authors: Lucy Hutchinson and the classicisation of scripture Edward Paleit Introduction: the distant muses – early modern women poets and classical antiquity E arly modern women poets’ search for cultural authority and poetic  voice involved a vexed, sometimes contradictory relationship to literary models (as Sarah Ross and Line Cottegnies explore further in chapters 2 and 3). Classical poetry was especially awkward for women writers to accommodate and imitate, for a variety of social and cultural reasons. Greek and

in Early modern women and the poem
Sarah James

7 Reading classical authors in Capgrave’s Life of St Katherine Sarah James To characterise John Capgrave as a writer of ‘literature’ has been, until recently, to court controversy, if not outright dissent. In his foreword to the Early English Text Society’s edition of Capgrave’s Life of St Katherine, Frederick Furnivall spares no time to consider what, if any, literary merit might attach to the work, being instead concerned to provide a rather patronising author portrait before launching into an embittered attack upon Carl Horstmann’s editorial decision

in Sanctity as literature in late medieval Britain
Editor: Susan Wiseman

In examining early modern women and the poem, this book explores how women use poetry, and how poems use women, in England and Scotland in the period 1550–1680. Several decades of critical writing on 'women's poetry', 'gender and poetry', and the representation of women, or gender, in poetry have produced a rich and complex critical and scholarly field. The book looks at the primary and secondary evidence concerning two key elements in the analysis of early modern women's writing, namely, women and the poem. It first explores the way women understood the poem in terms of the reception, influence and adaptation of past models and examples, working from the reception of classical texts. It focuses on the resources women writing poetry knew and encountered in chapters on classical inheritance, the religious sonnet sequence and the secular sonnet sequence. The book then examines the world of reading and readers, and looks at poems in terms of friendships, quarrels, competitions, coteries, networks and critical reception, both then and later. It also emphasises the tales that poems tell, and how those stories both register and shape the understanding of women and the poem in the world of potential readers. In examining women and the poem, the use of women as signifiers and bearers of meaning in poetry is as significant as women's literary production.

Victoria Coldham-Fussell

in otherwise non-comic contexts was not restricted to the medieval period; classical authors could be similarly inclusive. But some neoclassical critics regarded the receptivity of the Elizabethans to this aspect of their classical sources as evidence that the age of Shakespeare had struggled to ‘emerge from barbarity’. 81 Thus, where George Chapman’s Iliad followed its Homeric source in being funny in places, Pope, in his later translation, was compelled to ‘correct’ his predecessors’ lapses of decorum. In Jessica Wolfe’s words, ‘Chapman is far more

in Comic Spenser

Sanctity as literature in late medieval Britain explores how sanctity and questions of literariness are intertwined across a range of medieval genres. “Sanctity” as a theme and concept figures as a prominent indicator of the developments in the period, in which authors began to challenge the predominant medieval dichotomy of either relying on the authority of previous authors when writing, or on experience. These developments are marked also by a rethinking of the intended and perceived effects of writings. Instead of looking for clues in religious practices in order to explain these changes, the literary practices themselves need to be scrutinised in detail, which provide evidence for a reinterpretation of both the writers’ and their topics’ traditional roles and purposes. The essays in the collection are based on a representative choice of texts from the fourteenth to the early sixteenth centuries, covering penitential literature, hagiographical compilations and individual legends as well as romance, debates, and mystical literature from medieval and early modern England, Scotland, Wales, and Ireland. For researchers and advanced students of medieval literature and culture, the collection offers new insights into one of the central concepts of the late medieval period by considering sanctity first and foremost from the perspective of its literariness and literary potential.

Abstract only
Sarah Annes Brown

This chapter, which notes that ruins have traditionally been thought of as uncanny, haunted places, deals with the fragments of past civilisations and with several classical authors: Virgil, Horace and Lucan. Ruins have often been associated with the supernatural, either because it is believed that ruins are haunted or because the ruins are themselves strongly identified with corpses or ghosts. Ruins have a particular affinity with allusion, as both can be described as fragments that invite the reader or viewer to import a missing original to complete the picture. The discussion notes that, when used as an uncanny allusion marker, ruins dramatise the later author's sense of belatedness.

in A familiar compound ghost
Abstract only
Marilina Cesario and Hugh Magennis

The Introduction begins by placing the present volume in the context of previous and current work on the subject of medieval knowledge. It goes on to give an outline of medieval perspectives on the meaning, value and transmission of knowledge, noting the influence of classical authors and tracing the development of ideas about knowledge through the writings of key Christian thinkers. Isidore of Seville is identified as the key influence of the medieval encyclopaedic tradition and particular attention is paid to the authoritative work of Augustine, Bede and Aquinas. The introduction relates aspects of these medieval perspectives to specific chapters of the book and also highlights the relationship between religious and secular traditions. It ends with a succinct outline of each chapter.

in Aspects of knowledge
Bodies and environments in Italy and England

This book explores whether early modern people cared about their health, and what did it mean to lead a healthy life in Italy and England. According to the Galenic-Hippocratic tradition, 'preservative' medicine was one of the three central pillars of the physician's art. Through a range of textual evidence, images and material artefacts, the book documents the profound impact which ideas about healthy living had on daily practices as well as on intellectual life and the material world in Italy and England. Staying healthy and health conservation was understood as depending on the careful management of the six 'Non-Naturals': the air one breathed, food and drink, excretions, sleep, exercise and repose, and the 'passions of the soul'. The book provides fresh evidence about the centrality of the Non-Naturals in relation to groups whose health has not yet been investigated in works about prevention: babies, women and convalescents. Pregnancy constituted a frequent physical state for many women of the early modern European aristocracy. The emphasis on motion and rest, cleansing the body, and improving the mental and spiritual states made a difference for the aristocratic woman's success in the trade of frequent pregnancy and childbirth. Preventive advice was not undifferentiated, nor simply articulated by individual complexion. Examining the roles of the Non-Naturals, the book provides a more holistic view of convalescent care. It also deals with the paradoxical nature of perceptions about the Neapolitan environment and the way in which its airs were seen to affect human bodies and health.

Cheshire on the eve of civil war
Authors: Richard Cust and Peter Lake

This book aims to revisit the county study as a way into understanding the dynamics of the English civil war during the 1640s. It explores gentry culture and the extent to which early Stuart Cheshire could be said to be a ‘county community’. It investigates the responses of the county’s governing elite and puritan religious establishment to highly polarising interventions by the central government and Laudian ecclesiastical authorities during Charles I’s Personal Rule. The second half of the book provides a rich and detailed analysis of the petitioning movements and side-taking in Cheshire during 1641-42. This important contribution to understanding the local origins and outbreak of civil war in England will be of interest to all students and scholars studying the English Revolution.

Medea and the poetics of fratricide in early modern English literature
Katherine Heavey

against patriarchy and monarchy, imagining himself in the position of her grieving father Aeëtes. However, as I shall show, Herrick’s choice of Apsyrtus, like Shakespeare’s, is rooted in the knowledge of a combination of classical sources (particularly Ovid and Seneca) and in early modern translations of both classical authors. Moreover, both Herrick and Shakespeare use the figure of Apsyrtus, entirely

in Interweaving myths in Shakespeare and his contemporaries