This book traces a number of common themes relating to the representation of Irish Travellers in Irish popular tradition and how these themes have impacted on Ireland's collective imagination. A particular focus of the book is on the exploration of the Traveller as ‘Other’, an ‘Other’ who is perceived as both inside and outside Ireland's collective ideation. Frequently constructed as a group whose cultural tenets are in a dichotomous opposition to those of the ‘settled’ community, the book demonstrates the ambivalence and complexity of the Irish Traveller ‘Other’ in the context of a European postcolonial country. Not only have the construction and representation of Travellers always been less stable and ‘fixed’ than previously supposed, these images have been acted upon and changed by both the Traveller and non-Traveller communities as the situation has demanded. Drawing primarily on little-explored Irish language sources, the book demonstrates the fluidity of what is often assumed as reified or ‘fixed’. As evidenced in Irish-language cultural sources, the image of the Traveller is inextricably linked with the very concept of Irish identity itself. They are simultaneously the same and ‘Other’, and frequently function as exemplars of the hegemony of native Irish culture as set against colonial traditions.
unused to its actuality. Literary images of warfare disseminated to
a wide readership played on the collectiveimagination in a way
that monuments and paintings, fixed in time and place, could
never do. Moreover, visual images could now be reproduced to
communicate ideas to a wider audience than ever before. The
publication of maps and the advances made in cartography (not
least after Columbus ‘discovered’ America in 1492) further
stretched the imagination of rulers and ruled alike and served to
bring distant places more within their reach.
This study seeks to delve beyond the familiar image of Ellen Wilkinson as the leader of the Jarrow Crusade. It has attempted to unearth new evidence to provide a richer understanding of this figure who is remarkable in terms of her achievements, her acquaintances and her witnessing of history’s great turning points. From a humble background, she ascended to the rank of Minister in the 1945 Labour government. Yet she was much more than a conventional Labour politician. She wrote journalism, political theory and novels. She was both a socialist and a feminist; at times, she described herself as a revolutionary. She met Lenin, Trotsky and Gandhi. She visited Soviet Russia, the GM sit-down strikes, the Indian civil disobedience campaign, the Spanish Civil War and the Third Reich. While viewed in the collective imagination as ‘Red Ellen’, whose politics were as red as her hair, her ideas were not static and present a series of puzzles. This study seeks to use transnational and social movement theory perspectives to grabble with the complex itinerary of ideas and her relationship with the movements for social transformation. This research is timely because interest in her life remains. This is in part because her principal concerns—working-class representation, the status of women, capitalist crisis, war, anti-fascism—remain central to contentious politics today.
This book analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran. It is the first of its kind to utilize a multidisciplinary approach in probing the complex relationship between architecture, development, and heritage. It uses established theoretical concepts including notions of globalism, nostalgia, tradition, and authenticity to show that development is a major cause of historical transformations in places such as Iran and its effects must be seen in relation to global political and historical exchanges as well as local specificities. Iran is a pertinent example as it has endured radical cultural and political shifts in the past five decades. Scholars of heritage and architecture will find the cross-disciplinary aspects of the book useful. The premise of the book is that transposed into other contexts, development, as a globalizing project originating in the West, instigates renewed forms of historical consciousness and imaginations of the past. This is particularly evident in architecture where, through design processes, the past produces forms of architectural heritage. But such historic consciousness cannot be reduced to political ideology, while politics is always in the background. The book shows this through chapters focusing on theoretical context, international exchanges made in architectural congresses in the 1970s, housing as the vehicle for everyday heritage, and symbolic public architecture intended to reflect monumental time. The book is written in accessible language to benefit academic researchers and graduate students in the fields of heritage, architecture, and Iranian and Middle Eastern studies.
Identity is often regarded as something that is possessed by individuals, states, and other agents. In this edited collection, identity is explored across a range of approaches and under-explored case studies with a view to making visible its fractured, contingent, and dynamic features. The book brings together themes of belonging and exclusion, identity formation and fragmentation. It also examines how identity functions in discourse, and the effects it produces, both materially and in ideational terms. Taking in case studies from Asia-Pacific, Europe, the Middle East and Latin America, the various chapters interrogate identity through formal governing mechanisms, popular culture and place. These studies demonstrate the complex and fluid nature of identity and identity practices, as well as implications for theorising identity.
This volume aims to disclose the political, social and cultural factors that
influenced the sanitary measures against epidemics developed in the
Mediterranean during the long nineteenth century. The contributions to the book
provide new interdisciplinary insights to the booming field of ‘quarantine
studies’ through a systematic use of the analytic categories of space, identity
and power. The ultimate goal is to show the multidimensional nature of
quarantine, the intimate links that sanitary administrations and institutions
had with the territorial organization of states, international trade, the
construction of national, colonial, religious and professional identities or the
configuration of political regimes. The circum-Mediterranean geographical spread
of the case studies contained in this volume illuminates the similarities and
differences around and across this sea, on the southern and northern shores, in
Arabic, Spanish, Portuguese, Greek, Italian, English and French-speaking
domains. At the same time, it is highly interested in engaging in the global
English-speaking community, offering a wide range of terms, sources,
bibliography, interpretative tools and views produced and elaborated in various
Mediterranean countries. The historical approach will be useful to recognize the
secular tensions that still lie behind present-day issues such as the return of
epidemics or the global flows of migrants and refugees.
This book aims to revisit the county study as a way into understanding the
dynamics of the English civil war during the 1640s. It explores gentry culture
and the extent to which early Stuart Cheshire could be said to be a ‘county
community’. It investigates the responses of the county’s governing elite and
puritan religious establishment to highly polarising interventions by the
central government and Laudian ecclesiastical authorities during Charles I’s
Personal Rule. The second half of the book provides a rich and detailed analysis
of the petitioning movements and side-taking in Cheshire during 1641-42. This
important contribution to understanding the local origins and outbreak of civil
war in England will be of interest to all students and scholars studying the
Internal displacement, the urban periphery and belonging to the city
upon the assumed civility and security of Bogotá itself. Rengifo Castillo notes
these zones do not exist in the collectiveimagination of the big cities as spaces
of struggles for social inclusion, or the right to belong to the city, rather, they
are recognized for their marginality, for the high rates of violence and for the
danger, real or imagined, that they represent for the rest of the inhabitants of the
city. (Rengifo Castillo 2005, 61)
Such prescribed understandings can be seen to not only problematise a spatialised conception of the issue, but also
through translations and adaptations. Like Euripides, Shakespeare brings
centre-stage the women and children who are the casualties of war,
concentrating the threats that collectively hang over them in the linked
plights of Constance and Arthur.
Constance: sister to Andromache
and daughter to Hecuba
The structural combination of
Throughout art history, visual representations of wolves have frequently reflected contemporaneous attitudes held towards these creatures, giving form to the guise of wolves as they existed in the collectiveimagination of the time. Today, no less than in previous eras, society's attitudes and imaginings of wolves are expressed by artists who capture the full suite of sensibilities from lupophobia to lupophilia. For instance, there is Mircea Cantor's Deeparture (2005), a video work replaying the